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THE ART OF HUNTING HUMANS

A RADICAL AND CONFRONTING EXPLANATION OF THE HUMAN MIND

An offbeat, unconventional, and imaginative exploration of the human race.

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A work with a preposterous premise offers a look at humans.

What if an alien were to write a manual that instructs compatriots how to “hunt a human”? This fantastical, fictional concept forms the basis of a story by Mazzi (Tainted by Fire, 2016), who maintains the charade until the very last page, wherein he reveals his rationale for writing the book. This is the kind of creative exercise that is likely to split its audience; some will be taken with the prose and play along while others will dismiss it as nonsense. The objective, though, is to expose the many foibles humans share and assess them as if viewed through an alien lens. The introductory chapter sets up the strangely insightful volume nicely by summarizing “some of the weaknesses” of humans that “we will explore.” These include emotions, fear, vanity, and widespread ignorance. The six short parts of the work provide an intriguing take on what generally makes humans tick. The titles of the parts, such as “DIGGING DEEPER INTO YOUR PREY’S REALITY” and “WHAT DRIVES THE ANIMAL,” are clearly constructed to reinforce the text of the simulated guide. The content is cleverly written, if forced at times, describing elements of humanity like language (“Just a system of codes and symbols that are ripe for misinterpretation”), critical thinking (“It’s the emotions inside their heads that matter to humans”), and feelings (“Humans can suffer and feel better—they can take pleasure from sacrifice”). The most intriguing aspect of the book is the way the alien observes human behavior, as if it is being evaluated from an outsider’s perspective. This can be amusing, disconcerting, perceptive, or bizarre depending on how readers process the material. If nothing else, it is an exercise that serves to point out the absurdities of the species. At the end, the author explains that his purpose for the novel format “is to raise attention to the importance of self-reflection and the pursuit of wisdom.” Hopefully, those who plow through this unusual work will be enlightened—or perhaps chagrined.

An offbeat, unconventional, and imaginative exploration of the human race.

Pub Date: Feb. 7, 2019

ISBN: 978-1-79196-075-9

Page Count: 221

Publisher: Time Tunnel Media

Review Posted Online: June 18, 2019

Kirkus Reviews Issue: July 15, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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