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UNIVERSAL FOAM

FROM CAPPUCCINO TO THE COSMOS

Curious about that froth on your cappuccino? Here’s the place to take its measure. But it is the reader who will have to...

An exploration of the science of foam that is also an engaging appreciation of its cultural uses—think of your beer’s head or cappuccino’s cap—from physicist Perkowitz (Empire of Light, 1996).

Foam is one of those peculiar and intriguing semi-states, not really liquid or gas or solid, but an arrangement of adjoining bubbles and cells of gas within a liquid or solid. Perkowitz takes readers on a Cook’s Tour through the substance’s extensive and quirky world, from ocean whitecaps to champagne, pumice, and bread—the foamy turmoil of quantum events. He works his thrall mostly in the cultural aspects of foam: how it effects the flavor of beer, the taste of bread; how it brought about an environmental crisis with its near indestructibility as exemplified by packing peanuts and Macdonald’s clamshell burger containers; the ethereal pleasures of meringues and soufflés and mousses; the aesthetic chords struck by paintings of churning waves from Hokusai to Homer. But when Perkowitz delves into the physics of foam, he gets bogged down. It may be that the mechanical and dynamic properties of foam are simply not compelling, but it does seem as though something as wondrous as sonoluminescence (the act by which bubbles change sound into light) ought to have readers gasping in awe. It doesn’t, here. More problematical is that Perkowitz at times comes perilously close to a tone of cooing condescension: “No doubt you’ll soon notice the remarkable diversity of matter that surrounds us.” At the end of the book, he does manage to make his science sing when he describes the cosmos as having the distinct qualities of foam as witnessed through the distribution of galaxies across space.

Curious about that froth on your cappuccino? Here’s the place to take its measure. But it is the reader who will have to provide the initial spark of interest, for though Perkowitz can be entertaining, he is not alluring.

Pub Date: July 1, 2000

ISBN: 0-8027-1357-2

Page Count: 208

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2000

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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