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GINSTER

Ginster’s name belongs with modern literature’s antiwar activists from the Good Soldier Švejk to Yossarian.

One of the most unconventional World War I novels by one of Europe’s most important cultural critics returns to print.

The title character of this 1928 novel by journalist, editor, and film scholar Kracauer (1889-1966) is a 25-year-old architecture student in a German city referred to only as M. It’s 1914 and, with his country now at war, Ginster seems unmoved by the tumult around him. He tells an uncle: “Since a piece of land way out in the East has been occupied by the enemy, they go on about it as if it were their own personal property. They didn’t give a damn about the piece of land before.” Not even the pursuit of his own ambition seems to concern him as he “lack[s] the ability to apply such circumspection to the question of his future place in society. He would have preferred to become nothing at all....” It’s hard not to make comparisons to Melville’s Bartleby, the scrivener, except that Ginster’s passivity about the war doesn’t keep his life from being affected by it. Ginster eventually drifts into military service out of obligation to his family, but he pretends to have a “general physical debility” that puts him on “permanent” home front duty, where he serves his country by “peeling potatoes against the enemy.” At times, Kracauer’s hero, befitting the author’s work as a movie critic, seems like an amalgam of Charlie Chaplin and Buster Keaton in his often-deterred efforts to retain his individuality in the face of overpowering forces. Yet the relentless accumulation of raw details about day-to-day life within and outside the military magnifies the absurdity of war and, at times, mitigates the comedic elements of Ginster’s situation. It’s the kind of mix one expects from a conscientious reporter and compulsive aesthetician trying to make sense of a senseless time. The blend doesn’t always work well; sometimes you come across numbing stretches in the narrative reminiscent of those in Kracauer’s later critical works, such as From Caligari to Hitler (1947). But there’s an intensity of vision in this novel that carries the exuberance of a young writer not only discovering his voice but feeling confident enough to test its capacities.

Ginster’s name belongs with modern literature’s antiwar activists from the Good Soldier Švejk to Yossarian.

Pub Date: April 30, 2024

ISBN: 9781681378145

Page Count: 336

Publisher: NYRB Classics

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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