A compelling case for an unorthodox solution to a widespread health care problem.
Fry-Revere (The Accountability of Bioethics Committees and Consultants, 1993), the founder of a nonprofit bioethics think tank, goes to Iran to study the effects of legalizing compensation for organ donors.
Many Westerners may be shocked to learn that, as untold thousands of Americans die while waiting to receive donated organs, Iran has so many people who want to sell their kidneys that they must get on a waiting list. Fry-Revere, the founder of the U.S.-based Center for Ethical Solutions, writes that “the United States is struggling with a problem Iran seems to have solved.” Her book aims to provide readers with “insights into the ethical complexities of living organ donation.” The book is partly a scholarly study of organ donation, partly a humorous personal history, and partly a poignant, in-depth look at Iran, following the author as she recounts her trip there and the emotional transformation she underwent. The author has impressive academic credentials, including teaching bioethics and law at the University of Virginia and George Mason University, but she’s also passionately connected to this book’s issue, which has affected her personally; her son lost a kidney to cancer at a young age. Her narration proves more than capable, as her intelligence and intriguing ethical sense bring her sentences to life. She also adds personal touches; in one paragraph, she describes U.S. State Department travel warnings regarding Iran, and in the next, she relates a nightmare she had, caused by these warnings. Throughout the book, however, kidney donation remains the central focus. She interviews Iranians who sold their kidneys so they could help their families while saving a life at the same time. The issue of economic injustice soon comes into play; Fry-Revere says that some people balk at the idea of selling human organs, believing that “the United States and other countries took a stand against exploiting the poor.” Her subject matter may be somewhat controversial, but her analysis is undeniably worth reading.
A compelling case for an unorthodox solution to a widespread health care problem.Pub Date: March 1, 2014
ISBN: 978-1-61163-512-6
Page Count: 254
Publisher: Carolina Academic Press
Review Posted Online: Jan. 31, 2014
Kirkus Reviews Issue: March 1, 2014
Review Program: Kirkus Indie
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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BOOK TO SCREEN
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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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