OLAV AUDUNSSØN

The third volume in Undset’s classic tetralogy finds the protagonist’s household riven, and with worse on the way.

Olav Audunssøn, the namesake hero of Undset’s epic, is a psychic mess at the beginning of this volume, the second of whose two parts is meaningfully called “The Wilderness.” A witness to the great transformations of the 13th century, Olav gives the reader plenty of reason to think he should have been a Viking berserker. Instead, he’s doing all he can to be a devout Christian, so when he travels from Norway to England on a trading mission, he goes to church to pray rather than pillage. He is obsessed by his deceased wife, Ingunn Steinfinnsdatter, whose life he complicated by murdering her lover, a story that unfolded in the preceding volume. Olav feels little guilt for the killing but endless remorse for Ingunn’s mortal illness, so much so that when a wealthy English lady casts him come-hither vibes, he flees: “Olav was still holding her, but he was staring and listening to something over her head, as he felt his own desire seeping away, not extinguished but flowing far away from this woman. Ingunn was calling to him.” Ensorcelled by Ingunn’s memory, Olav is full of contempt for their son, Eirik Olavssøn, who wants nothing but his love and approval; the fact that Olav calls him a “wayside bastard” suggests there may be some issues with the genealogy, but then Olav, for all his piety, isn’t above fathering a few off-the-books kids out there on the fjord. Eirik and Olav reach something of a détente, though, just in time for a Swedish upstart to come on the scene attempting to stir up a rebellion against the king, affording Olav a welcome chance to kill a few enemies Viking-style—but at terrible cost. Rich in Catholic symbolism and with plenty of family drama and other mayhem, the book is as sturdy and swift-flowing as any work of Hamsun or Laxness.

A masterpiece of Scandinavian and early modernist literature—and with more to come.