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OLAV AUDUNSSØN

I. VOWS

One of the great modern sagas, and a thoroughly entrancing exploration of the past.

The 1928 Nobel Prize–winning author returns to the Middle Ages in the first volume of a tetralogy.

Of the important clans of Norway, none was more powerful than the Steinfinnssøns, “the name given to a lineage that flourished in rural districts around Lake Mjøsa during the time when the sons of King Harald Gille reigned in Norway.” A modern reader would be forgiven for not knowing that Harald was the illegitimate son of one Magnus Barefoot, eventually murdered in a vicious civil war by another of Magnus’ “wayside bastards.” So it was with the Steinfinnssøns, a tough bunch who were quick to take up arms. Adopted into the clan as a boy, Olav Audunssøn is betrothed to the clan leader’s daughter Ingunn Steinfinnsdatter, the daughter of a woman who that leader had stolen away from another powerful warlord. The legality of their marriage was therefore always up to challenge, a problem passed on to Olav and Ingunn, since they were sealed when Steinfinn, Ingunn’s father, was staggering drunk. When Olav decides to finalize the arrangement, though, the Steinfinnssøns say that it was all in jest; as an elder tells him, “we now need to bind ourselves through marriage agreements to men who wield power and have powerful kinsmen, neither of which you have.” That repudiation sets tragedy in motion: Olav, having inherited his late father’s battle axe, buries it into a cousin of Ingunn’s, forcing him to take to the outlaw trail. It won’t be the only death on his hands: A later victim will be the father of Ingunn’s child, sired while Olav was on the run. Undset sends abundant signals that, come the next volume, the reunion of Olav and Ingunn won’t be happy. Undset’s novel has been available in English translation for decades, but Nunnally’s new version is fluid and readable in contrast to its predecessor’s rather stilted prose. In all events, the novel is a pleasure to read, elegant and often beautiful despite its morose tone and spasms of violence.

One of the great modern sagas, and a thoroughly entrancing exploration of the past.

Pub Date: Nov. 10, 2020

ISBN: 978-1-5179-1048-8

Page Count: 336

Publisher: Univ. of Minnesota

Review Posted Online: July 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE GOD OF THE WOODS

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

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Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.

One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Pub Date: July 2, 2024

ISBN: 9780593418918

Page Count: 496

Publisher: Riverhead

Review Posted Online: April 13, 2024

Kirkus Reviews Issue: May 15, 2024

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