One of the great modern sagas, and a thoroughly entrancing exploration of the past.
The 1928 Nobel Prize–winning author returns to the Middle Ages in the first volume of a tetralogy.
Of the important clans of Norway, none was more powerful than the Steinfinnssøns, “the name given to a lineage that flourished in rural districts around Lake Mjøsa during the time when the sons of King Harald Gille reigned in Norway.” A modern reader would be forgiven for not knowing that Harald was the illegitimate son of one Magnus Barefoot, eventually murdered in a vicious civil war by another of Magnus’ “wayside bastards.” So it was with the Steinfinnssøns, a tough bunch who were quick to take up arms. Adopted into the clan as a boy, Olav Audunssøn is betrothed to the clan leader’s daughter Ingunn Steinfinnsdatter, the daughter of a woman who that leader had stolen away from another powerful warlord. The legality of their marriage was therefore always up to challenge, a problem passed on to Olav and Ingunn, since they were sealed when Steinfinn, Ingunn’s father, was staggering drunk. When Olav decides to finalize the arrangement, though, the Steinfinnssøns say that it was all in jest; as an elder tells him, “we now need to bind ourselves through marriage agreements to men who wield power and have powerful kinsmen, neither of which you have.” That repudiation sets tragedy in motion: Olav, having inherited his late father’s battle axe, buries it into a cousin of Ingunn’s, forcing him to take to the outlaw trail. It won’t be the only death on his hands: A later victim will be the father of Ingunn’s child, sired while Olav was on the run. Undset sends abundant signals that, come the next volume, the reunion of Olav and Ingunn won’t be happy. Undset’s novel has been available in English translation for decades, but Nunnally’s new version is fluid and readable in contrast to its predecessor’s rather stilted prose. In all events, the novel is a pleasure to read, elegant and often beautiful despite its morose tone and spasms of violence.
One of the great modern sagas, and a thoroughly entrancing exploration of the past.Pub Date: Nov. 10, 2020
ISBN: 978-1-5179-1048-8
Page Count: 336
Publisher: Univ. of Minnesota
Review Posted Online: July 15, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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