A cleareyed and engaging, if familiar, apocalyptic yarn.
A young man heads across the Atlantic, seeking refuge on a rapidly collapsing planet.
We meet 20-year-old Lark, the narrator of House’s seventh novel, on an overcrowded yacht full of refugees headed from Maine to Ireland. Climate change has sparked devastating fires across America, and aggressive, heavily armed militias enforce a hard-line religious doctrine that makes Lark a target as a gay man. After an arduous trek across the sea that kills many of the passengers, including both of his parents, Lark arrives in Ireland on little more than a rumor that he’ll have a safe haven in Glendalough, a spiritually blessed place said to be both progressive and spared the worst of the climate disaster. Along the way he befriends a dog—a rare creature now in this cruel hellscape—and a woman savvy about the landscape and its threats. House delivers this straightforward adventure with efficiency and poignancy, capturing the brief idyll of freedom Lark and his family enjoyed before leaving and the newfound appreciation he has for an environment and liberal society that are both rapidly collapsing. And the novel’s style has a clarity and rough-hewn simplicity that bring the story’s conflicts into sharp relief. (It’s no accident that the dog is named Seamus, a tribute to the Irish Nobel winner Seamus Heaney, the earthiest of great Irish poets.) The novel’s chief flaw is its overfamiliarity, to the point of almost feeling like a pastiche of dystopian-novel plots and styles: At various points the story contains echoes of The Dog Stars, I Am Legend, The Road, American War, Station Eleven, and more. House seamlessly works in present-day concerns about rampant fundamentalism and willful ignorance about climate catastrophe, but for anybody well versed in the genre, this will feel like well-trod ground.
A cleareyed and engaging, if familiar, apocalyptic yarn.Pub Date: Sept. 27, 2022
ISBN: 978-1-64375-159-7
Page Count: 288
Publisher: Algonquin
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
Saunders has crafted a novel that feels deeply resonant, especially in these fractious times.
Saunders’ second novel represents a magnificent expansion of consciousness.
Unfolding over the course of a single evening, as oil baron K.J. Boone lies on his deathbed, the narrative develops almost entirely in the interior, while encompassing a dizzying exteriority as well. At its center are two characters, one deceased and the other soon to be. The latter, of course, is Boone, a man with much to answer for, although he doesn’t believe that. The other is Jill “Doll” Blaine, the narrator, who died young and has returned to earth from the spirit realm—as she has 343 times since her own demise—to help him make the crossing. If such concerns appear to recall those of the author’s first novel, Lincoln in the Bardo (2017), that both is and isn’t the case. Yes, as the book progresses, it ranges widely, with a variety of ghosts and spirits emerging to comment on or participate in Boone’s final reckoning. At the same time, it’s a sparer work than its predecessor. This has to do with Jill, who moves from memories of her life to engagement with Boone. Always, she reveals empathy and insight, even as his final hours become a dark night of the soul. “No: this, this now, was me,” she tells us: “vast, unlimited in the range and delicacy of my voice, unrestrained in love, rapid in apprehension, skillful in motion, capable, equally, of traversing, within a few seconds’ time, a mile or ten thousand miles.” What she (or, through her, Saunders) is suggesting is the need for generosity, despite, or perhaps because of, Boone’s corrupted soul, which has been riven by a lifetime wallowing in many of the deadly sins, particularly pride and greed. Such openness has long been a hallmark of Saunders’ fiction, and it’s on full display in this elegant and subtle book. “At such moments,” Jill reflects, “I especially cherished my task. I could comfort.”
Saunders has crafted a novel that feels deeply resonant, especially in these fractious times.Pub Date: Jan. 27, 2026
ISBN: 9780525509622
Page Count: 192
Publisher: Random House
Review Posted Online: Oct. 9, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An uncompromising message, delivered via a gripping story with two engaging heroines.
An undergraduate at Brown University unearths the buried history of a Latine artist.
As in her bestselling debut, Olga Dies Dreaming (2022), Gonzalez shrewdly anatomizes racial and class hierarchies. Her bifurcated novel begins at a posh art-world party in 1985 as the title character, a Cuban American land and body artist, garners recognition that threatens the ego of her older, more famous husband, white minimalist sculptor Jack Martin. The story then shifts to Raquel Toro, whose working-class, Puerto Rican background makes her feel out of place among the “Art History Girls” who easily chat with professors and vacation in Europe. Nonetheless, in the spring of 1998, Raquel wins a prestigious summer fellowship at the Rhode Island School of Design, and her faculty adviser is enthusiastic about her thesis on Jack Martin, even if she’s not. Soon she’s enjoying the attentions of Nick Fitzsimmons, a well-connected, upper-crust senior. As Raquel’s story progresses, Anita’s first-person narrative acquires a supernatural twist following the night she falls from the window of their apartment —“jumped? or, could it be, pushed?”—but it’s grimly realistic in its exploration of her toxic relationship with Jack. (A dedication, “In memory of Ana,” flags the notorious case of sculptor Carl Andre, tried and acquitted for the murder of his wife, artist Ana Mendieta.) Raquel’s affair with Nick mirrors that unequal dynamic when she adapts her schedule and appearance to his whims, neglecting her friends and her family in Brooklyn. Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions (Raquel’s adviser refers to her as “Mexican”) to brutally racist behavior by the Art History Girls. While a vividly rendered supporting cast urges Raquel to be true to herself and her roots, her research on Martin leads to Anita’s art and the realization that she belongs to a tradition that’s been erased from mainstream art history.
An uncompromising message, delivered via a gripping story with two engaging heroines.Pub Date: March 5, 2024
ISBN: 9781250786210
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
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