A cleareyed and engaging, if familiar, apocalyptic yarn.
A young man heads across the Atlantic, seeking refuge on a rapidly collapsing planet.
We meet 20-year-old Lark, the narrator of House’s seventh novel, on an overcrowded yacht full of refugees headed from Maine to Ireland. Climate change has sparked devastating fires across America, and aggressive, heavily armed militias enforce a hard-line religious doctrine that makes Lark a target as a gay man. After an arduous trek across the sea that kills many of the passengers, including both of his parents, Lark arrives in Ireland on little more than a rumor that he’ll have a safe haven in Glendalough, a spiritually blessed place said to be both progressive and spared the worst of the climate disaster. Along the way he befriends a dog—a rare creature now in this cruel hellscape—and a woman savvy about the landscape and its threats. House delivers this straightforward adventure with efficiency and poignancy, capturing the brief idyll of freedom Lark and his family enjoyed before leaving and the newfound appreciation he has for an environment and liberal society that are both rapidly collapsing. And the novel’s style has a clarity and rough-hewn simplicity that bring the story’s conflicts into sharp relief. (It’s no accident that the dog is named Seamus, a tribute to the Irish Nobel winner Seamus Heaney, the earthiest of great Irish poets.) The novel’s chief flaw is its overfamiliarity, to the point of almost feeling like a pastiche of dystopian-novel plots and styles: At various points the story contains echoes of The Dog Stars, I Am Legend, The Road, American War, Station Eleven, and more. House seamlessly works in present-day concerns about rampant fundamentalism and willful ignorance about climate catastrophe, but for anybody well versed in the genre, this will feel like well-trod ground.
A cleareyed and engaging, if familiar, apocalyptic yarn.Pub Date: Sept. 27, 2022
ISBN: 978-1-64375-159-7
Page Count: 288
Publisher: Algonquin
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
An emotionally acute study of manliness.
Scenes from the life of a well-off but emotionally damaged man.
Szalay’s sixth novel is a study of István, who as a 15-year-old in Hungary is lured into a sexual relationship with a married neighbor; when he has a confrontation with the woman’s husband, the man falls down the stairs and dies. Add in stints in a juvenile facility and as a soldier in Iraq, and István enters his 20s almost completely stunted emotionally. (Saying much besides “Okay” sometimes seems utterly beyond him.) Fueled by id, libido, and street drugs, he seems destined to be a casualty until, while working as a bouncer at a London strip club, he helps rescue the owner of a security firm who’s been assaulted; soon, he’s hired as the driver for a tycoon and his wife, with whom he begins an affair. István is a fascinating character in a kind of negative sense—he’s intriguing for all the ways he fails to confront his trauma, all the missed opportunities to find deeper connections. To that end, Szalay’s prose is emotionally bare, deliberately clipped and declarative, evoking István’s unwillingness (or incapacity) to look inside himself; he occasionally consults with a therapist, but a relentless passivity keeps him from opening up much. His capacity to fail upwards eventually catches up with him, and the novel becomes a more standard story about betrayal and inheritances, but it also turns on small but meaningful moments of heroism that suggest a deeper character than somebody who, as someone suggests, “exemplif[ies] a primitive form of masculinity.” István’s relentlessly stony approach to existence grates at times—there are a few too many “okay”s in the dialogue—but Szalay’s distanced approach has its payoffs. Being closed off, like István, doesn’t close off the world, and at times has tragic consequences.
An emotionally acute study of manliness.Pub Date: April 1, 2025
ISBN: 9781982122799
Page Count: 368
Publisher: Scribner
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Vivid characters are set adrift in a “ripped from the headlines” tableau that complicates the story, and the storytelling.
A diverting midlife story plucks at the secrets good people carry to the grave.
As a reader, Artie Dam—the protagonist of Strout’s 11th book—encounters Olive Kitteridge, “a crotchety old woman from Maine” and Strout’s most celebrated fictional character. Artie picked up the Pulitzer-anointed book centered on Olive after his wife, Evie, loved it, “oh, years ago now.” Strout is having a bit of fun—that “oh” is a trademark—even though she marbles her latest novel with marital infidelity, political anxiety, and suicide. Indeed, it is the fact that Olive’s father died by suicide that Artie, 57 and gaining a paunch, recalls now in his own dismalness. As the story begins, he is pondering the most discreet way to die, despite having been Massachusetts’ Teacher of the Year five years earlier. Artie seems the inverse of irascible Olive: beloved by his students; by his grown son, Rob; and by the English teacher, Anne, who quietly pines for him. But like Olive, Artie has distressing impulses—he steals a comb, then some expensive shirts. Much of the text bobs along on Artie’s stocktaking memories, chunked out in short, occasionally abrupt paragraphs. Strout’s storytelling is thinning a bit, like middle-aged hair. Then, midbook, she clobbers Artie with a brutal existential shock. In its wake, Strout surfs the nature of loneliness, corrosive secrets, and the convulsions of the 2024 presidential election. Hers is an unremittingly Blue State book, although Artie has one friend who, unbeknownst to him, supported Donald Trump. On the day after the election, Artie somberly concludes that his “country was committing suicide.” This is the first novel in which Strout entirely vacates Maine for another setting. But she sticks with Artie and, on the final pages, delivers him a satisfying finale.
Vivid characters are set adrift in a “ripped from the headlines” tableau that complicates the story, and the storytelling.Pub Date: May 5, 2026
ISBN: 9798217154746
Page Count: 224
Publisher: Random House
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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