A brave tale of human generosity and the power and peace that come from heeding the courage of one’s convictions.
A road novel that mixes warmth, empathy, tragedy, and hope.
Southern novelist House’s (Eli the Good, 2009, etc.) new book is a paean to the wisdom of the heart and the remarkable ability of humans to listen to that wisdom despite a lifetime of believing (or preaching) intolerance. The novel opens in the wake of a catastrophic flood that all but destroys a small Tennessee town, as seen through the eyes of Asher Sharp, a Pentecostal preacher. Asher and his 8-year-old son, Justin, save a neighbor from his house as it literally floats down the river; they are aided by two gay men who have recently moved to the area and who lost their home in the flood as well. Asher is moved by the couple’s selflessness and offers them shelter in his own house, but his archreligious wife cannot abide it. The event shakes Asher sufficiently enough to make him question the foundations of his faith and everything he stands for, and as he begins to preach the gospel of tolerance and open-mindedness, he loses the respect of his congregation and the support of his wife, who attempts to wrestle full custody of Justin from him. At the end of his rope, Asher hops in his Jeep and makes a late-night run for Key West—with Justin in tow. There, he hopes to find and make amends with his estranged brother, Luke, whom Asher hasn’t spoken to since he came out as gay 10 years ago. All of this unfolds in a third-person voice redolent of the rich dialect native to the characters in the story; House has an unsurpassed ear for dialogue, and his prose is spare, fluid, and naturalistic throughout. After such a dramatic beginning, the story slows a bit as Asher and Justin arrive in Key West and get settled into a clandestine existence, but the propulsive pace picks up soon after, as the novel speeds toward its conclusion.
A brave tale of human generosity and the power and peace that come from heeding the courage of one’s convictions.Pub Date: June 5, 2018
ISBN: 978-1-61620-625-3
Page Count: 352
Publisher: Algonquin
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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