Sometimes marred by a monotony in its characterizations, but, overall, a gentle tale with appealingly flawed people and an...
Third in a multigenerational saga (A Parchment of Leaves, 2002, etc.) of a Kentucky mountain family with tragedy to burn.
Easter and her younger sister Anneth are orphaned when their father dies in a cave-in at the Altamont Mine and their mother hangs herself shortly thereafter.The two and their brother Gabe are raised by their grandmothers: Serena, whose family settled in the shadow of the mountain at Free Creek; and Vine, a Cherokee whose land was on the other side of the mountain in an area that’s now a mine. Easter is a churchgoing Pentecostal who finds love with El, but grief when her only child is stillborn and she can’t have another. (The child has a blue birthmark similar to a “coal tattoo” that marks men who have survived cave-ins.) Anneth is a beauty whose wild streak draws her into drinking, barroom flirtations, and impulsive marriages to a Nashville-bound singer/guitarist, a wealthy mine foreman, and ultimately a dangerously controlling man. The relationship between the sisters is frayed by Anneth’s recklessness, but ultimately family ties endure when the Altamont mining company turns to strip mining, using coerced “broad form deeds,” and tries to bulldoze their mountain (“ . . . loving the land was a given, not something one could choose. . .”). When the sisters and their aunt stand in front of the bulldozers, the media plays up the incident, and the land is saved for now. Anneth falls in love with a draftee headed to Vietnam, discovers she’s pregnant, and promises to give the baby to Easter and El to raise. Both sisters are natural singers, and a motif about the coming of rock ’n’ roll in the 1960s adds an intriguing period dimension.
Sometimes marred by a monotony in its characterizations, but, overall, a gentle tale with appealingly flawed people and an exquisite sense of the quotidian.Pub Date: Sept. 24, 2004
ISBN: 1-56512-368-9
Page Count: 336
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2004
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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