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THE SEVENTH VEIL OF SALOME

A rousing success: Moreno-Garcia proves, once again, that she is a master of her craft.

A bitter actor goes to war with a Hollywood newcomer in this historical novel.

It’s 1955, and Hollywood can’t stop talking about The Seventh Veil of Salome, a film that its beleaguered screenwriter calls “one of those sword-and-sandal flicks” and a “picture with a camel, a palace, and a garbage plot thinly inspired by a Biblical story.” The film has been in the works for years; one of the reasons is that its director has had trouble finding an actor for the title role, the first-century princess who plays a part in the New Testament. The director finally settles on a 21-year-old Mexican newcomer named Francisca Severa Larios Gavaldón, whom the studio renames Vera Larios. Vera’s rapid ascent irks Nancy Hartley, “a professional party girl more than she was an actress,” who nevertheless badly wanted the role herself. Nancy also wants Jay Rutland, a handsome jazz pianist who has his eyes set on Vera. Nancy is a racist with a nasty temperament—“God help the person who incurred her wrath”—which means she has no intention of letting Vera go unpunished. Meanwhile, Vera tries to adjust to her new life in Hollywood, deal with her overbearing mother, and avoid the unwanted attentions of a sex-pest actor who believes he’s entitled to her body. Moreno-Garcia’s novel is told from a variety of perspectives, and she captures each voice perfectly, with dialogue that’s artfully and subtly reminiscent of Golden Age movies. She also proves to be an expert at building suspense—she telegraphs that Vera and Nancy’s rivalry will end explosively, but still manages to end the novel with a genuine surprise. The author has proved with previous books like Mexican Gothic (2020) and Velvet Was the Night (2021) that she’s a master storyteller who can move among genres with ease, so it’s no surprise that this foray into historical fiction is intelligent, exciting, and written absolutely beautifully.

A rousing success: Moreno-Garcia proves, once again, that she is a master of her craft.

Pub Date: July 16, 2024

ISBN: 9780593600269

Page Count: 336

Publisher: Del Rey

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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SWAN SONG

Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”

A stranger comes to town, and a beloved storyteller plays this creative-writing standby for all it’s worth.

Hilderbrand fans, a vast and devoted legion, will remember Blond Sharon, the notorious island gossip. In what is purportedly the last of the Nantucket novels, Blond Sharon decides to pursue her lifelong dream of fiction writing. In the collective opinion of the island—aka the “cobblestone telegraph”—she’s qualified. “Well, we think, she’s certainly demonstrated her keen interest in other people’s stories, the seedier and more salacious, the better.” Blond Sharon’s first assignment in her online creative writing class is to create a two-person character study, and Hilderbrand has her write up the two who arrive on the ferry in an opening scene of the book, using the same descriptors Hilderbrand has. Amusingly, the class is totally unimpressed. “‘I found it predictable,’ Willow said. ‘Like maybe Sharon used ChatGPT with the prompt “Write a character study about two women getting off the ferry, one prep and one punk.”’” Blond Sharon abandons these characters, but Hilderbrand thankfully does not. They are Kacy Kapenash, daughter of retiring police chief Ed Kapenash (the other swan song referred to by the title), and her new friend Coco Coyle, who has given up her bartending job in the Virgin Islands to become a “personal concierge” for the other strangers-who-have-come-to-town. These are the Richardsons, Bull and Leslee, a wild and wealthy couple who have purchased a $22 million beachfront property and plan to take Nantucket by storm. As the book opens, their house has burned down during an end-of-summer party on their yacht, and Coco is missing, feared both responsible for the fire and dead. Though it’s the last weekend of his tenure, Chief Ed refuses to let the incoming chief, Zara Washington, take this one over. The investigation goes forward in parallel with a review of the summer’s intrigues, love affairs, and festivities. Whatever else you can say about Leslee Richardson, she knows how to throw a party, and Hilderbrand is just the writer to design her invitations, menus, themes, playlists, and outfits. And that hot tub!

Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”

Pub Date: June 11, 2024

ISBN: 9780316258876

Page Count: 384

Publisher: Little, Brown

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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