Her friend Jude’s trip to nearby Clincham to catch a play endsin yet another suspicious death for English retiree Carole Seddon.
The play, House/Home, isn’t up to much. It’s a reprise of a television sitcom in which an older couple rented an outbuilding to a bunch of variously wacky students. The real drama is backstage, as Jude discovers when she pops into the dressing room of Drake Purslow, with whom she worked briefly when she was an actress, and finds him dead, bashed in the head by the trademark first-generation home computer his character, Mr. Whiffen, used on the show. Purslow’s death could possibly have seemed accidental if it weren’t for a bloody footprint indicating that someone had been on the scene before Jude—a footprint that’s carelessly or deliberately wiped out by theater manager Fiona Crampton when she attempts in vain to take Purslow’s pulse. Returning home, Jude enlists Carole, as usual, in her investigation. Despite Carole’s introversion, she finds a way to gather information by volunteering to help digitize the Clincham Theatre’s old records. Along the way, she learns that despite the untimely demises of two members of the original cast of House/Home, not only have most of the current touring production collaborated on the TV show, but several of them also worked on a stage adaptation of The Woman in White years ago at the Clincham, an episode that holds the key to two mysterious deaths.
A low-simmering puzzle spiced with theatrical gossip and an unusually well-hidden killer.