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CHARLES DICKENS AND THE GREAT THEATRE OF THE WORLD

Callow makes us wish we’d been in those crowds to watch this astonishing magician weave his literary spells.

Callow (My Life in Pieces, 2011, etc.) rehearses the life of Dickens with a sharp spotlight on the importance of the theater and of performance both in Dickens’ life and in his fiction.

The author is a front-row fan who has read Dickens’ works repeatedly and whose admiration for his subject glistens on every page. It’s hard not to admire the Dickens appearing here, a man whose Promethean production and energy make Trollope-Updike-Oates look a tad slothful. Writer of serial novels (he was producing The Pickwick Papers and Oliver Twist simultaneously), creator of the most beloved Christmas story outside the Gospels, editor of his own literary magazines, performer of his own works, husband (not an attentive one), father of 10, philanthropist…all in an age when rail travel was a novelty and writers still used that old-fashioned word processor, a pen. Callow generally follows the traditional narrative line of Dickens’ life (with emphasis on his early and never-ending interest in theater), chronicling his time in the blacking factory, his indigent father, his schooling (very little), his rise in the world of letters, his friendships (literary and otherwise) and his enormous, trans-Atlantic celebrity. Callow doesn’t ignore—though he does diminish a bit—Dickens’ very human failures: his long affair with actress Ellen Ternan, his harsh treatment of his wife and his petulance and even pomposity in his dealings with publishers. But Callow’s greatest achievements are his analysis of Dickens’ prodigious thespian skills and his generation of an absolute love affair with his readership. The author shows us the vast, adoring crowds and tallies the enormous psychic and physical costs of Dickens’ myriad performances and celebrity.

Callow makes us wish we’d been in those crowds to watch this astonishing magician weave his literary spells.

Pub Date: Aug. 7, 2012

ISBN: 978-0-345-80323-8

Page Count: 384

Publisher: Vintage

Review Posted Online: May 12, 2012

Kirkus Reviews Issue: June 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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