by Simon Garfield ‧ RELEASE DATE: Nov. 18, 2013
Katherine Mansfield once wrote to a friend, “This is not a letter but my arms around you for a brief moment.” Garfield...
A tribute to writing personal letters, courtesy of the widely curious Garfield (On the Map: A Mind-Expanding Exploration of the Way the World Looks, 2012, etc.).
The author asks, “What else could bring back a world and an individual’s role within it so directly, so intensely, so plainly and so irresistibly? Only letters.” Garfield seeks to show readers the significance of this lost art. When there was conscious effort made to get things right the first time—especially with those prepaid airmail fold-ups—both the sender and the recipient received ample rewards (certainly more than through email). Throughout history, there have been countless exemplary letter writers, and Garfield covers much ground, from Roman centurions in B.C. Britain to Charles Schultz and Charlie Brown. All the while, the author maintains his sense of storytelling wonder, a diverting patter that allows the pages to slip past even as he examines how letters reveal motivation, deepen understanding, give evidence, change lives and rewrite history. The letters on display are as varied as a patchwork quilt—Aristotle, Seneca, Cicero, Erasmus (“Have you so completely rid yourself of all brotherly feeling, or has all thought of your Erasmus wholly fled your heart?”), Emily Dickinson (in her letter to literary critic Thomas Wentworth Higginson, she writes, “You speak of Mr. Whitman. I never read his book, but was told that it was disgraceful”), Keats, Kerouac, Heloise and Abelard, Henry VIII and Anne Boleyn, Henry Miller and Anaïs Nin—but Garfield draws out their commonality and continuity. He also provides short detours along the way, introducing the postal system, stamps, drop boxes and that saddest of destinations, the dead-letter office.
Katherine Mansfield once wrote to a friend, “This is not a letter but my arms around you for a brief moment.” Garfield provides a fond, lovely reflection on the essence of that sentiment.Pub Date: Nov. 18, 2013
ISBN: 978-1-59240-835-1
Page Count: 370
Publisher: Gotham Books
Review Posted Online: Sept. 30, 2013
Kirkus Reviews Issue: Oct. 15, 2013
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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