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BORDER RUN

A novel that sets itself apart from most noir fiction with its lighter and looser feel.

Lured into the jungle of Thailand by the promise of pure bliss with lovely tribal girls, British backpacking buddies Jake and Will discover their guide Howard is using them as a cover to deal drugs across the nearby Burmese border. Taking matters in their own hands, they cross the line between self-preservation and moral depravity.

Lewis, who sent a Chinese inspector to England to search for his abducted daughter in the 2008 thriller Bad Traffic, returns with another dark tale of cultural dislocation. In this book, the language barrier is less an issue than the worst kind of naiveté. Will, a photography nut, is planning on a visit to a tea factory in Laos when Jake awakens him with a risky alternative. A guy he met in a noodle place told him about this beautiful, little-known spot with a waterfall where they can go swimming and Will can photograph—and be with in other ways—the photogenic Wa people. Will reluctantly gives in. Beautiful topless girls do indeed greet them at the swimming hole. Jake wanders off with one of them, leaving Will to contemplate what may become the most amazing day in his life—if only he can stop thinking of his girlfriend back home. When he spies Howard stashing something in the boot of his Jeep, the day begins its downward slide. Howard insists customs cops don't care about young tourists. One bad turn leads to another, a cop gets shot in the chest by the backpackers' crossbow, Jake and Will turn on each other, their agreeably un-villain-like guide pays for his transgressions and any remaining shreds of human decency get washed away in the rapids. Lewis writes with a subtle comic edge. The pages of this short novel turn so quickly, its dark undertow can sneak up on you.

A novel that sets itself apart from most noir fiction with its lighter and looser feel. 

Pub Date: April 24, 2012

ISBN: 978-1-4165-9605-9

Page Count: 240

Publisher: Scribner

Review Posted Online: March 4, 2012

Kirkus Reviews Issue: March 15, 2012

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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