Translated from its original French and published previously in England: a novella-length entertainment chronicling the imagined life of Napoleon after St. Helena. Leaving a look-alike behind him on St. Helena, Napoleon is smuggled away on shipboard, passing for a common cabin-hand. That an ingenious international plot is afoot by which the emperor will secretly reenter Europe counts for nothing when Napoleon's ship lands in Antwerp instead of Bordeaux, with the result that Napoleon entirely misses his underground contact, ``a man with a mustache, wearing a gray top hat, sitting on a barrel, holding a furled umbrella in one hand and a copy of the Financial Herald in the other.'' Alone and unrecognized, and passing as a mere tourist, Napoleon revisits Waterloo, embarks by stagecoach for Paris, is detained at the border for nonpayment of a hotel tab in Brussels, is ``rescued'' by a border guard who recognizes the great man and is still faithful to the Napoleonic cause—and who gives him an address in Paris of other die-hard faithfuls. In that capital city, Napoleon will take up with a poor but good-natured widow, reveal his strategic and tactical brilliance by revivifying her retail melon business—and secretly be shown a lunatic asylum (operated by ``Dr. Quinton'') in which all the inmates believe themselves—but of course—to be Napoleon. An ironically parallel fate awaits the too-late-returned emperor himself: when he reveals to the widow who he really is, she of course politely but resolutely considers him mad; and—after getting caught in a soaking rainstorm—he at last sinks into a final illness, pitied for the quaint madness of believing himself to be Napoleon. Tiny, little, miniature, pleasant enough historical fable with a twist.
Pub Date: Sept. 1, 1992
ISBN: 0-374-13565-7
Page Count: 112
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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