An involving, deliberately hazy tale with a radiant, multispecies cast.
In this SF novel, a philanthropist falls into a baffling world of shifting realities and struggles to disentangle dreams from real life.
Abraham Keen helms a charity that offers aid to unhoused people, but the mayor and the police of Old York (the former New York in a dystopian America) write off the “subterraneans” as an inconvenience. And they’re soon looking at Abraham for all the wrong reasons. They claim his estranged teenage son, Joe, belongs to a terrorist group, and they want Abraham’s help in snaring its “religious lunatic” leader, the mysterious Liberator. To get answers, Abraham heads to Venice, the HQ of House of Never —the company behind reality-augmenting pills to which Joe is addicted. Sadly, Abraham finds only trouble and soon has no choice but to escape into his apparent memories. It’s relentlessly confusing; he’s caught up in a war that ended a decade ago. Is he really Abraham Keen or is the life he’s known merely part of his “false dreams?” Woodward’s novel thrives on perplexity. Characters Abraham meets either know nothing, purposefully withhold relevant details, and/or are exceedingly strange, like the genetically modified pig soldiers. That, however, doesn’t dampen this entertaining plot. There’s Candyland, for one, a “mini country” within Florida where villages, towns, and even citizens are made of sweets. The emergent-chip tech that gives candy people their personalities does the same for animals, and much of the cast includes immensely likable and loyal anthropomorphic pigs. While Abraham faces indisputable villains, like House of Never agents, his motivation is less certain. Nevertheless, his search ignites a climax that’s both sharp and gratifying.
An involving, deliberately hazy tale with a radiant, multispecies cast.Pub Date: July 19, 2023
ISBN: N/A
Page Count: 383
Publisher: N/A
Review Posted Online: July 17, 2023
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.
A time-toying spy romance that’s truly a thriller.
In the author’s note following the moving conclusion of her gripping, gleefully delicious debut novel, Bradley explains how she gathered historical facts about Lt. Graham Gore, a real-life Victorian naval officer and polar explorer, then “extrapolated a great deal” about him to come up with one of her main characters, a curly-haired, chain-smoking, devastatingly charming dreamboat who has been transported through time. Having also found inspiration in the sole extant daguerreotype of Gore, showing him to have been “a very attractive man,” Bradley wrote the earliest draft of the book for a cluster of friends who were similarly passionate about polar explorers. Her finished novel—taut, artfully unspooled, and vividly written—retains the kind of insouciant joy and intimacy you might expect from a book with those origins. It’s also breathtakingly sexy. The time-toggling plot focuses on the plight of a British civil servant who takes a high-paying job on a secret mission, working as a “bridge” to help time-traveling “expats” resettle in 21st-century London—and who falls hard for her charge, the aforementioned Commander Gore. Drama, intrigue, and romance ensue. And while this quasi-futuristic tale of time and tenderness never seems to take itself too seriously, it also offers a meaningful, nuanced perspective on the challenges we face, the choices we make, and the way we live and love today.
This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.Pub Date: May 7, 2024
ISBN: 9781668045145
Page Count: 352
Publisher: Avid Reader Press
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
PERSPECTIVES
SEEN & HEARD
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