Humor comes easily to Rich, but he’s at his best when he pushes against the boundaries of his jokes.
Humorist Rich’s (The Last Girlfriend on Earth, 2013, etc.) latest collection is predictably funny, though sometimes digs deeper.
Imagine a petty, oft-rejected writer complaining to his girlfriend about the “literary establishment”: “They hate that I’m trying to do something new—it terrifies them!” It’s a familiar rant to the girlfriend, who leaves, feigning frustration, only to place a call as soon as she hits the sidewalk, whispering, “He’s onto us,” and then…well, never mind. This review shouldn’t ruin the punch line of Rich’s “Distractions,” for the pleasure of this and other pieces comes from watching each joke unfold. Unfortunately, this also suggests the book’s larger hindrance: There’s not much here besides the jokes. The result is amusing, sure, but slight, like watching an uneven episode of Saturday Night Live (where Rich once worked as a writer) in which some skits stick the landing, some provoke mild chuckles, and some offer the opportunity to use the bathroom or play with your phone. The nearly 80-page novella Sell Out suggests something much different, however. In it, a hardworking immigrant in early-20th-century Brooklyn is accidentally preserved in pickle brine, only to awaken 100 years later. He tracks down his great-great-grandson, the author himself, a self-absorbed, neurotic disappointment. This story is funny, but it gestures toward something deeper about the dreams we foist upon our family members and icons and also the ensuing disappointments. Elsewhere, Rich puts his jokes first, but in Sell Out, the characters are paramount, and readers ought to return to this story. Otherwise, once is the right amount of times to read most of these pieces—and given Rich’s breezy style, once won’t be a chore at all.
Humor comes easily to Rich, but he’s at his best when he pushes against the boundaries of his jokes.Pub Date: Oct. 14, 2014
ISBN: 978-0-316-36862-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Aug. 13, 2014
Kirkus Reviews Issue: Sept. 1, 2014
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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