Scarrow again provides a vivid sense of history and several believable scenes of maritime action, and his righteous but...
In their sixth adventure (The Eagle’s Prey, 2005, etc.), centurion comrades Cato and Macro go to sea to recapture stolen scrolls invaluable to the emperor Claudius.
After his crew takes control of three Roman ships, bloodthirsty Greek pirate Telemachus hones in on Caius Caelinus Secundus, a patrician who promises him a rich ransom. Inside the elegant chest Caius is transporting are scrolls whose importance he tries to play down. Telemachus isn’t fooled; he holds the patrician and the scrolls hostage, demanding ten million sestertians for their return. Meanwhile, back in Rome, seasoned centurion Macro and his young protégé Cato are adrift. Living in squalor while seeking a new commission, they wander into trouble because of their restlessness and anxiety. Salvation comes from an unexpected quarter. Claudius’s right-hand man, Narcissus, well-acquainted with the centurion duo, hires them to retrieve the scrolls. In a surprising twist, he puts Cato at the head of the rescue party and demands that the hotheaded but much more experienced Macro stay behind. Macro is unexpectedly reunited with his mother Portia, who abandoned him as a baby. (Their reunion and subsequent interactions are awkward, to say the least.) Cato’s meeting with Telemachus goes less well than expected. Not to be intimidated, the Greek speaks slickly of other bidders for the scrolls, which contain secret revelations from the famed Oracle at Delphi. Narcissus decides to seize them by force, putting Macro and Cato under the command of Vitellius, an old adversary with ruthless political ambition. Storms at sea weaken their fleet, making it more vulnerable to the battle-ready pirate force. The centurions almost immediately come to loggerheads with Vitellius, fearing that his inexperience and recklessness will make them easy prey for Telemachus.
Scarrow again provides a vivid sense of history and several believable scenes of maritime action, and his righteous but flawed protagonists are winning heroes.Pub Date: Dec. 8, 2006
ISBN: 0-312-32454-5
Page Count: 320
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2006
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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