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MY FATHER SAID/ MI PADRE DIJO

A tender portrait of paternal love in its many varieties.

Awards & Accolades

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A son recounts all the ways his father showed his love in this bilingual children’s book.

The dads in the storybooks of today often show complete command of their emotions and are endlessly forthcoming with their pride, vulnerability, and support. But author and illustrator Silva reminds readers in this book’s introduction that for plenty of dads of an older generation, or dads who weren’t raised in the American middle class, “it can be hard to openly share their feelings or bond with their kids” in the ways Western society believes they should. This children’s book is a love letter to fathers like the author’s, who prefer to use actions rather than gifts or words to convey the depth of their feelings. The text follows a consistent structure of two lines starting with “my Father said he loves me…” in both English and Spanish, accompanied by a digital illustration. Silva depicts a chronology of a working-class Mexican-American father and his son from the child’s birth through childhood. The narrative marks milestones like haircuts, working, and birthdays, with many illustrations pointing to agricultural work as well as traditional Mexican food, music, and decor; these represent declarations of love through hard work, sacrifice, and cultural pride, with the father showing his devotion through “his backbreaking work” and “the music he played.” The digital illustrations often have a photographic quality, which effectively enhances the book’s theme of memory.

Silva’s poignant and personal story offers a perspective on a kind of paternal love that is often misinterpreted; he writes in the afterword that “My Father said…he loved me…although not with words…now I know how much he cared.” His vibrant, 2-D art style conveys the idea that his life is full of dynamic love (despite not hearing the words) in a variety of domestic scenes, like bedrooms, kitchens, and family trips in the car; homes are decorated with colorful walls, paper banners, Catholic elements (like crosses), and photographs. The most compelling visual elements, however, are the pastoral depictions of the “backbreaking work” that the father does to sustain his family. Silva uses long lines that bisect the pages to represent the fields he and his family worked in, rendered in shades of green, brown, and orange to emphasize their importance. There are some subtle cues about class and the sacrifices made by those living the immigrant experience, perhaps most acutely in the image of “calloused working hands,” coarse with abrasions, over a planting field. A family scene in the car shows that the protagonist has other siblings and a mother, thus implying love in other forms, but this narrative is squarely an homage to his relationship with his father—his namesake—and the story of how he was taught how to love in turn. Children raised differently can learn a new love language from Silva’s tale, and children native to either language will get the words to appreciate how love may or may not manifest in their families.

A tender portrait of paternal love in its many varieties.

Pub Date: July 28, 2024

ISBN: 9781958615300

Page Count: 32

Publisher: Con Todo Press

Review Posted Online: Aug. 23, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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GRUMPY MONKEY

Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...

It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?

When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.

Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)

Pub Date: May 15, 2018

ISBN: 978-0-553-53786-4

Page Count: 32

Publisher: Random House

Review Posted Online: Feb. 18, 2018

Kirkus Reviews Issue: March 1, 2018

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