A blend of a Dickensian epic and Downton Abbey, with the author arriving at a conclusion that could allow sequels.
Tolkien (Orders from Berlin, 2012, etc.) draws from the World War I–era experiences of his famous grandfather J.R.R. Tolkien to spin a saga worthy of Masterpiece Theater.
When Adam Raine’s mother is accidentally killed during a violent strike in London, his father, a builder and labor activist, moves them both north to Scarsdale, a small coal-mining town, where his cousin got him a job working for the union. The early part of the book takes place in pre–WWI Scarsdale and presents a nuanced portrait of stolid Edwardian England, its class divisions, economic inequalities, and withering aristocracy. Workingmen suffered—"the mine was cruel and the mine was king"—with life belowground chillingly claustrophobic and always dangerous. Adam’s father is killed saving the life of the mine owner, Sir John Scarsdale, during a riot. Grateful, Sir John, sometimes trapped by an aristocracy that restrains his better instincts, becomes Adam’s patron, bringing him to live in the Scarsdale family home and directing his education. The calculating Lady Scarsdale fears Adam will usurp the place of her younger son, Brice. Adam and the devious Brice become rivals for the love of Miriam, the local parson’s daughter, allowing Tolkien further exploration of social mores, but it’s a thoroughly old-fashioned, chaste romance. As Adam and his contemporaries are drawn into the war and shipped off to France, Tolkien displays much empathy for the working class, most vividly rendered in Adam’s friendship with the miners’ sons on the front lines. Characters become the faces of stoic courage or bitter cynicism as an old society is fractured by mechanized murder. Told chronologically through a narrative that marches rather than soars, the story’s second half relates England’s initial jingoistic war fervor, every able-bodied man pressured to join the cause, but then confronts the ugliness a generation decimated by machine guns, massed artillery, and incompetent generals faced returning home to a jaundiced society. The carnage in the trenches of the Somme is depicted by corpses stacked to serve as defensive emplacements and young lives capriciously snuffed out by the snap of a sniper’s bullet.
A blend of a Dickensian epic and Downton Abbey, with the author arriving at a conclusion that could allow sequels.Pub Date: Jan. 24, 2017
ISBN: 978-0-385-54197-8
Page Count: 592
Publisher: Nan A. Talese
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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