by Simon Toyne ‧ RELEASE DATE: June 19, 2012
Reading the initial book in the series first makes this taut thriller much more satisfying.
Former British television writer, producer and director Toyne cranks up the drama with the second entry in a conspiracy thriller series.
Taking up where the first volume (Sanctus, 2011) left off, New Jersey news reporter Liv Adamsen awakens to find herself hospitalized in the small Turkish town of Ruin. Liv is not alone: Kathryn Mann and a monk from the Citadel are also recovering from injuries sustained when fleeing the mysterious fortress. However, there are forces at hand determined to destroy all three, and that is something Kathryn’s son, Gabriel, cannot allow to happen. Gabriel helps Liv escape and find her way back home to the U.S., then begins to look for a way to return to the Citadel, which is now seemingly under assault from nature itself. Blighted trees and a dying garden have spread their disease to the humans who occupy the Catholic fortress, and no one knows how to stop what appears to be an impending worldwide catastrophe. As the Vatican’s moneyman, Cardinal Secretary Clementi, plots to eliminate Liv and her co-conspirators, Gabriel forges an alliance to help fend off what appears to be the realization of the End of Days. As he battles to save Liv from a terrible fate, Gabriel finds that one of the most important events of his life was a lie and that allies exist in places he would never have suspected. Toyne's first novel, Sanctus, set up the story of the Citadel and the mysterious thing it guards. Well-written, fast-paced and delivered with an admirable economy of words, this book offers an edge-of-the-seat story filled with action and adventure, as well as a puzzle that the main characters must somehow put together before the world simply disappears. If the book has a flaw, it’s that it doesn’t stand alone, and readers who have not progressed from the first book to the second will spend the first half trying to figure out what’s happening.
Reading the initial book in the series first makes this taut thriller much more satisfying.Pub Date: June 19, 2012
ISBN: 978-0-06-203833-3
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: June 16, 2012
Kirkus Reviews Issue: July 1, 2012
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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