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FATHER'S DAY

A sentimental story of the bond between father and child.

A portrait of a unique family whose love overcomes odds.

Van Booy (Tales of Accidental Genius, 2015, etc.) opens with sweet scenes of a young girl. The toddler, Harvey, observes the world with wonder as her parents help her make sense of it all. Harvey has dolls and toys from McDonald’s and appears in most ways very well loved. There is a sense of foreboding about her growing older, however. By the chapter’s end, her parents are stunned that she is starting first grade. From there, we jump forward. Twenty years later, Harvey is anxiously waiting for her father’s arrival in Paris, where she now lives. She has prepared a Father’s Day gift for him, a box filled with objects to symbolize “some vital moment of their lives.” The final object will be the most important, freeing her father from a secret he's been keeping for 20 years. Alternating between past and present, the novel fills in the 20-year gap. Jason, the father who visits in Paris, is actually not Harvey's biological father but her uncle, who became her legal guardian after her parents died in a car accident. He's a recovering alcoholic with a criminal record and a prosthetic leg. They make for an odd pair at first; Jason abandons his tough-guy persona while young Harvey learns to play the drums from him and dreams of working at Jiffy Lube when she grows up. The tone often borders on the saccharine, and, though their relationship deepens, the characters don't. Despite this, there are moments of genuine emotion. Jason quits smoking for Harvey’s sake, but when he won’t share his nicotine gum, she's hurt. “That’s so selfish,” she says. “You never think about me.”

A sentimental story of the bond between father and child.

Pub Date: April 26, 2016

ISBN: 978-0-06-240894-5

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 3, 2016

Kirkus Reviews Issue: Feb. 15, 2016

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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