by Simon Winchester ‧ RELEASE DATE: April 4, 2003
Supremely well told: a fine exception to the dull run of most geological writing.
A vivid reconstruction of a volcanic explosion felt around the world—and a tale of curious twists it is.
One of the most entertaining science-explainers at work today, Winchester (The Map That Changed the World, 2001, etc.) brings fine credentials to bear on writing the story of Krakatoa: both a former Asia correspondent for the Manchester Guardian and an Oxford-trained geologist, he has an eye for the local and global significance of that volcano’s cataclysmic eruption 120 years ago. Dotting his narrative with learned asides and digressions (including a lively account of a volcano-hunting field trip to Greenland in his student days), Winchester carefully builds a dramatic tale that begins with a few rumblings and ends with the end of the world as the Spice Islanders knew it. Like the volcano, his story takes its time in building force, but it steadily gathers strength while giving the reader a crash course in tectonic theory, continental drift, volcanism, and other elemental matters. Winchester seeds that story with all manner of curious actors, including a hapless fellow who, in one of the giant tsunamis generated by the eruption, “reportedly found himself being swept inland next to a crocodile: He clambered on to its back and hung on for grim death with his thumbs dug deep into the creature’s eye-sockets.” Not only did the explosion lead to the erasure of the volcanic island of Krakatoa from the world map and kill nearly 40,000 people, Winchester writes, but it was also felt halfway around the world, with its plume of ash and smoke blackening the skies over London and New York. Moreover, he adds, the explosion caused a wave of anti-Western violence in predominantly Muslim Indonesia, perhaps contributing to the eventual expulsion of the Dutch colonialists from the islands. Though widely reported at the time and even today a byword for natural disaster, the explosion of Krakatoa figures only occasionally in the literature, Winchester writes—and, he adds, in a terrible disaster movie of the 1960s, which “for some reason . . . enjoys the status of a minor cult classic” in Britain.
Supremely well told: a fine exception to the dull run of most geological writing.Pub Date: April 4, 2003
ISBN: 0-06-621285-5
Page Count: 432
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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