by Simone de Beauvoir & translated by Patrick O'Brian ‧ RELEASE DATE: April 30, 1984
Two documentary additions—prosaic, unformed, but substantial—to the Jean-Paul Sartre biography, to the understanding of his oeuvre, to the history of the Beauvoir/Sartre relationship. First comes a fairly brief, inadequately annotated memoir of Sartre, 1970-1980, "based on the diary I kept during those ten years, and on the many testimonies I have gathered." De Beauvoir, a sometime companion in this period, mostly records the ups and downs in Sartre's health: diabetes, slight strokes, dizziness, teeth problems, incontinence, and—worst of all—near-blindness. (In one of the few emotional moments here: "Then he looked at me with a look of anxiety and almost of shame. 'Shall I never get my eyes back?' I said I was afraid he would not. It was so heartrending that I wept all night long."):' Even amid weakness and pain, however, Sartre continued to work on his Flaubert studies, to take on editing assignments for the Maoist magazines, to address workers' groups—in his desire to be "the new intellectual who endeavors to become integrated with the masses so as to bring about the triumph of true universality." (A subtle, curious undercurrent here is De Beauvoir's muted ambivalence about Sartre's final political allegiances—not to mention "his various young women" who kept him supplied with forbidden whiskey.) And the memoir ends with De Beauvoir's musings on the semi-serenity which Sartre achieved in the face of death, on the quasi-suicidal nature of his last illnesses, on the lack of philosophical comfort at the end: "His death does separate us. My death will not bring us together again. That is how things are. It was in itself splendid enough that we could live our lives in harmony so long." The bulk of this thick volume, however, consists of transcripts from 1974 taped conversations between De Beauvoir and Sartre—which "do not reveal any unexpected aspects of him, but. . . do allow one to follow the winding course of his thought and to hear his living voice." Responding to De Beauvoir's often-leading questions, then, an unenthusiastic Sartre talks about: his petit-bourgeois childhood (the hated stepfather, the boarding-school violence); his sometimes-conflicting roles as writer and philosopher (intriguing comments on varying approaches to fiction, criticism, philosophy); individual novels, plays, essays; the influence of Proust, Kafka, Giraudoux; soured friendships with Camus, Koestler, Giacometti, Genet; attitudes toward food, money, and sex—with his attraction to youth ("I find the adult male deeply disgusting"), his relationships with women, his small, ugly self-image. And the conversations turn finally to freedom and socialism (the dual crux of Sartre's politics), death, and God—"a prefabricated image of man, man multiplied by infinity." Repetitious, rarely surprising, enlivened here and there by the often-amusing De Beauvoir/Sartre subtext (e.g., her vain efforts to get him to endorse her version of shared memories): unscintillating but required reading—for students, followers, and other Sartre-watchers.
Pub Date: April 30, 1984
ISBN: 039472898X
Page Count: 453
Publisher: Pantheon
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: March 15, 1984
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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