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BERLIN

LIFE AND DEATH IN THE CITY AT THE CENTER OF THE WORLD

A largely dissatisfying history of one of the world’s great cities.

A 20th-century history of a major European city that has “alternately seduced and haunted the international imagination.”

For most of the 1900s, writes Telegraph features writer McKay, “Berlin stood at the center of a convulsing world.” It was known for artistic and scientific innovation but also for flaming pyres of books. It features abundant culture, beautiful parks, and handsome streets, but it was also the center of fascism. The author begins in 1919, noting the speed with which Berliners cycled through stages of postwar deprivation, disorder, and extremism. Even while hyperinflation crippled the economy, there was a flowering of creativity in literature, cinema, and architecture. Velocity, writes the author, is a defining trait of Berlin. The Nazis replaced anarchy with violent repression, and for years, it seemed like Berlin would become an imperial capital. However, by 1945, large parts of the city were rubble. McKay focuses intensely on this period; more than half the book chronicles the collapse of the Nazi regime and the arrival of the Russians. Unfortunately, this brutal period has already been analyzed countless times, as shown by the book’s extensive bibliography, and the author has little new to add. Then the city became a Cold War front line, especially after the construction of the Berlin Wall. At this point, McKay’s narrative dwindles away. The destruction of the wall in 1989—a crucial moment in the city’s story—receives only a page. The author fails to explain Berlin’s 30-year evolution from isolation and stagnation to economic and cultural powerhouse, and he offers no examination of the impact of unification. Showing how the mosaic of the past informs the present should be a crucial target for a historical writer. Berlin is a city of layers and contradictions, but McKay misses it. For a more gratifying portrait, turn to Rory MacLean’s Berlin: Portrait of a City Through the Centuries or Barney White-Spunner’s Berlin: The Story of a City.

A largely dissatisfying history of one of the world’s great cities.

Pub Date: Aug. 23, 2022

ISBN: 978-1-250-27750-3

Page Count: 464

Publisher: St. Martin's

Review Posted Online: April 15, 2022

Kirkus Reviews Issue: May 15, 2022

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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