Growing up, like birth and like death, involves struggle, but Mira’s largely spared its messy, painful side; this is...
Puberty, first love and a grandparent’s death figure in this gentle coming-of-age debut from the U.K., winner of Waterstone’s Children’s Book Prize in 2011.
On her busy 12th birthday, Mira, a budding artist of Indian-Jewish heritage, gets her first period, dreams about the Rwandan boy in her writing class and agrees to help her ailing Nana Josie paint her coffin. Among her presents is a diary in which she’ll record her next five weeks. Like Judy Blume’s Margaret, Mira desires and fears growing up, but there the two part ways. Grappling with life’s big questions, Margaret finds adult answers unsatisfactory, conflicting and contradictory; disillusioned, she’ll find her own. Mira’s journey is less stressful than reflective, studded with mature insights and wry reflection as she absorbs life lessons from her elders, especially Nana Josie, who, having lived a full life, now orchestrates her approaching death. (Movingly portrayed in realistic detail, her looming death and Mira’s sorrow are the novel’s strong suit.) Title notwithstanding, Mira’s passivity and the largely conflict-free plot are distancing. Because readers first learn that Mira’s bullied two pages before she fights back, her triumph has little impact.
Growing up, like birth and like death, involves struggle, but Mira’s largely spared its messy, painful side; this is adolescence as adults would like it to be, not as children live it. (Fiction. 9-13)Pub Date: Sept. 1, 2013
ISBN: 978-0-8075-5149-3
Page Count: 336
Publisher: Whitman
Review Posted Online: June 25, 2013
Kirkus Reviews Issue: July 15, 2013
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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BOOK TO SCREEN
Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this...
Sentenced to a brutal juvenile detention camp for a crime he didn't commit, a wimpy teenager turns four generations of bad family luck around in this sunburnt tale of courage, obsession, and buried treasure from Sachar (Wayside School Gets a Little Stranger, 1995, etc.).
Driven mad by the murder of her black beau, a schoolteacher turns on the once-friendly, verdant town of Green Lake, Texas, becomes feared bandit Kissin' Kate Barlow, and dies, laughing, without revealing where she buried her stash. A century of rainless years later, lake and town are memories—but, with the involuntary help of gangs of juvenile offenders, the last descendant of the last residents is still digging. Enter Stanley Yelnats IV, great-grandson of one of Kissin' Kate's victims and the latest to fall to the family curse of being in the wrong place at the wrong time; under the direction of The Warden, a woman with rattlesnake venom polish on her long nails, Stanley and each of his fellow inmates dig a hole a day in the rock-hard lake bed. Weeks of punishing labor later, Stanley digs up a clue, but is canny enough to conceal the information of which hole it came from. Through flashbacks, Sachar weaves a complex net of hidden relationships and well-timed revelations as he puts his slightly larger-than-life characters under a sun so punishing that readers will be reaching for water bottles.
Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this rugged, engrossing adventure. (Fiction. 9-13)Pub Date: Sept. 1, 1998
ISBN: 978-0-374-33265-5
Page Count: 233
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
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