Intense and captivating; a pitch-perfect ending for a strong trilogy.
After narrowly surviving The Empress (2017), Nemesis is pulled back into imperial intrigue to stop a madman.
Rather than a traditional start (either a recap or where the previous left off), the book opens with Tyrus’ boyhood, when he makes a personally painful decision for the greater good, with ramifications that set him on the path that finds him, 15 years later, a mad tyrant declared to be a God-Emperor. Meanwhile, Nemesis, left by Neveni after Nemesis botched an assassination attempt on Tyrus, lives in hiding in a desolate mining colony with the only other surviving Diabolic, Anguish, who’s dying. As “Nemesis lives” has been taken up as a rallying cry by those opposing the tyrant, she loses anonymity and returns to Tyrus, who finds he misses her, in exchange for medical care for Anguish. But, unable to go along with Tyrus’ cruelty, Nemesis and Anguish must leverage every connection they have to enable Tyrus’ opponents to take him down. In doing so, they uncover some of the empire’s deepest secrets. The intrigue- and betrayal-packed plot never feels like twists for the sake of twists because character decisions are rooted in their complex, often contradictory, emotions. Nuanced social commentary and philosophical musings give thematic weight to a story grounded in a passionate, tragically antagonistic relationship. As appearance is easily and routinely altered via technology, the diversity focus is firmly on classism.
Intense and captivating; a pitch-perfect ending for a strong trilogy. (Science fiction. 13-adult)Pub Date: Aug. 25, 2020
ISBN: 978-1-5344-0995-8
Page Count: 416
Publisher: Simon & Schuster
Review Posted Online: May 31, 2020
Kirkus Reviews Issue: June 15, 2020
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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