This fantasy relies on technology to stand out.
Teen misfits accidentally discover a portal to a dangerous fantasy world in this immersive book/app combo.
Bullied nerd-type Marshall and proudly nonconformist new girl Mayberry (white, relatively blank-slate characters) decide to investigate a local legend about a grove in the middle of a forest and the magical Wishing Tree in its center. They jokingly wish for a magical adventure in a new world and then fall asleep at the foot of the tree. Initially, it’s great fun, but soon they encounter a chain of life-threatening dangers and vicious creatures, the final one a violent Troll-man with a white human slave (readers will quickly make a connection with the prologue, undermining the characters’ discovery later in the book). The villainous Troll-man teaches the teens magic in order to make them tools in his plan, the goal of which is murder and conquest. While the earlier parts of the adventure read like a walking tour and introduction to the land and its inhabitants, a later storyline—to save the other human—is where the story really picks up steam. The ending leaves plenty of wiggle room for other adventures in the magic world, Nith, as well as possible mishaps with powerful magical objects. The book will release alongside an app that uses a smartphone’s camera and the book’s illustrations to “create” 3-D animated models; it also gives bonus world information in the form of Mayberry’s diary, with planned additional interactive features. (The preview app consists of clean, high-quality sample character models and animation based on the full-color images; most full-color images not seen but likely will be the base of the full app’s materials.)
This fantasy relies on technology to stand out. (Fantasy. 10-14)Pub Date: Aug. 30, 2016
ISBN: 978-0-399-17689-0
Page Count: 256
Publisher: Putnam
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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