by Slavenka Drakulić ‧ RELEASE DATE: Feb. 1, 1997
Drakuli's eloquent and brave essays demand that the citizens of post-Communist Eastern Europe take personal responsibility for their roles in the new civil society. Over the past five years, Croatian journalist and novelist Drakuli (The Balkan Express, 1993; Holograms of Fear, 1992) has emerged in the English-speaking world as a consistent, honest, stylish, and canny interpreter of Eastern Europe and ex-Yugoslavia. Her latest contribution continues that tradition (some may argue to the point of repetition), offering Drakuli's trademark essays that reach for the pulse of a country or an era by homing in on everyday events and encounters. Like her previous work, Cafe Europa serves as a protest against an East European tendency, based on decades- long experience under paternalist dictators, to shirk civic responsibility. ``How does a person who is a product of a totalitarian society,'' she asks, ``learn responsibility, individuality, initiative? By saying `no.' '' Although her canvas encompasses all of the Balkans and Eastern Europe, her own Croatia bears the brunt of Drakuli's penetrating criticism. One unforgettable essay depicts Croatian president Franjo Tudjman as an object of vitriolic contempt. Both the everyday and the political milieu of post-Communist Croatia are ready subjects for Drakuli's combination of wit, scorn, and introspection. From the renaming of the streets and cutting down of trees in Zagreb, to a colleague's uncritical interview with an unrepentant Croatian Fascist, to the author's own experiences as a consumer in America and as a Croat in Israel, the Croatian essays form the backbone of this collection. Nevertheless, these 24 essays, written between 1992 and 1996, are informed by the author's image of the lands of Eastern Europe as the ``infantile nations of our continent,'' sharing a common desire—``our longing for Europe and all that it stands for.'' General readers interested in understanding the gritty realities of post-Communist Eastern Europe should grab a coffee and sit down with Cafe Europa. (Author tour)
Pub Date: Feb. 1, 1997
ISBN: 0-393-04012-7
Page Count: 192
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1996
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More by Slavenka Drakulić
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by Slavenka Drakulić & translated by Christina P. Zoric
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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