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THE DOOR IN LAKE MALLION

From the Brindlewatch Quintet series , Vol. 2

A hot ticket, chockablock with memorable performances.

A frustrated young thespian discovers an alien civilization that runs on mushrooms and musical theater in this second series entry.

Fifteen-year-old Dunstan Cord’s bright dreams have only slightly been dimmed by juvenile macular degeneration and a disruptive streak that’s kept him out of the limelight in his lakeshore town of Knockum. But he finds himself a singular sensation after treacherous heartthrob Moss Richler (an A-lister with “teeth for miles”) throws him overboard into the deep waters of Lake Mallion. Instead of drowning, Dunstan, who presents white, winds up in the large subterranean Geodom of Jet—where the reptilian residents are lit, fed, and housed by fungi that are powered by mysterious green Meteorlight, which is keyed to charismatic public performers called Truffledours. In no time, Dunstan is onstage, his imagination, “a thing alive that always ran away with him attached…cracked open, pouring out over the audience.” Unfortunately, while also making a flashy connection with Jet’s scaly, taily, totally kissable Prince Ven, he discovers a threat to Knockum and potentially all of Brindlewatch. The language is rich in references to stagecraft, and Beiko kits out her stagestruck teen with an easily relatable desire to shine, an eminently breakable heart as big as his personality, and a notably diverse queer supporting cast. By the end, hearts are mending and the threat is diverted, if only in what feels like a temporary way.

A hot ticket, chockablock with memorable performances. (Fantasy. 13-18)

Pub Date: Oct. 8, 2024

ISBN: 9781770416963

Page Count: 312

Publisher: ECW Press

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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