A bold but confounding collection of short humor pieces.
A volume of flash fiction skewers celebrities, politicians, and pop-culture figures of yesteryear.
McGrouchpants does not hold back in these short works, which include a mix of comic pieces, prose poems, and microstories. There are confessional celebrity monologues, fake advice columns, satirical case histories, Hardy Boys parodies, and a slew of other forms, all of which the author uses to shock and surprise readers into laughter (or some other reaction). Most are no longer than a page, and several are actually shorter than their own titles. A fair number of the pieces revolve around former Vice President Dick Cheney: Cheney claiming to have introduced Ed McMahon and Johnny Carson; Cheney volunteering to serve as a “human latrine” for troops in Iraq; Cheney recounting the time he ate a bag of goat penises on his front porch with Wilford Brimley. The longest story by far is the 28-page “A Bite-Sized Piece,” which alternates between a woman’s account of dating an erratic man known as the Argyle Scot and instructions for how to remove a leech from one’s body. A pen name like McGrouchpants is likely to insulate the author from accusations of misanthropy, but even so, the tales aren’t often funny as much as they are petulant or mocking. There’s a palpable animosity directed toward academics, sex workers, and columnist Dan Savage, among others. Every page is a surprise, and there is a certain delight in that. But there is little enjoyment to be had from the stories themselves. The jokes are extremely scatological. Many make sense only on the level of Dada or absurdism. The piece “ ‘Why Christopher Hitchens Doesn’t Matter,’ by George Orwell’s Reincarnation, Now a Six-Year-Old Living Outside Leeds,” for example, reads in its entirety: “ ‘Oh, blimey, guv’nor, he got it all wrong!’ ‘What are you studying in school?’ ‘Geography! It's my favorite subject!’ ‘What do you like to do for fun?’ ‘Football! Me and me mates like to toss it around!’ ‘Really?’ ‘Naw! We hit the pipe!’ The End.” Is that a commentary on Hitchens or Orwell? Or Britain? Or elementary school curriculums? As with most of the pieces, many readers will be left befuddled and slightly annoyed.
A bold but confounding collection of short humor pieces.Pub Date: Feb. 2, 2021
ISBN: N/A
Page Count: 88
Publisher: Self
Review Posted Online: May 13, 2021
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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