by Smith Henderson ‧ RELEASE DATE: June 3, 2014
Of a piece with Peter Heller’s The Dog Stars and Cormac McCarthy’s The Road in imagining a rural West that’s seen better...
Of wide open spaces and lives narrowly, desperately lived at the bitter ends of dirt and gravel roads.
The spur of the Rockies at the northwestern corner of Montana is as hard and remote a stretch of country as any in the Lower 48, good reason why a person might want to disappear into it. Social worker Pete Snow, delivered to us in medias res, is well-used to what happens to people with too little money and too much booze or meth in tow. But he’s not quite prepared for how years of being used to such things can wear a person down—and what will touch him off to the point that he’s willing to smack a client. Says Pete to his target, trying to explain the rightness of his act, “[t]hose punches sure as shit come through me but they were not mine. As meant for you as they were, they were not mine.” He’s willing to cop to most responsibilities, but that doesn’t stop his own life from dissolving. Meanwhile, he’s caught up in a curious knot: In a land of snarling dogs and WIC checks, he has to sort out the life of a very nearly feral child, bound up in the even more complex life of a survivalist, paranoid and anti-statist, who may or may not be a Unabomber in the making. That brings the feds into the picture, and if Pete resorts to fisticuffs reluctantly, the FBI thinks nothing of beating their way around a countryside that looks ever more apocalyptic with each passing page. Henderson, a native Montanan, finds ample room for deep-turning plot twists in the superficially simple matter of a man looking for meaning in his own life while trying to help others too proud and mistrustful to receive that assistance. The story goes on a bit long, but the details are just right: It’s expertly written and without a false note, if often quite bleak.
Of a piece with Peter Heller’s The Dog Stars and Cormac McCarthy’s The Road in imagining a rural West that’s seen better days—and perhaps better people, too.Pub Date: June 3, 2014
ISBN: 978-0-06-228644-4
Page Count: 480
Publisher: Ecco/HarperCollins
Review Posted Online: May 15, 2014
Kirkus Reviews Issue: June 1, 2014
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PROFILES
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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