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NORMA

In spite of promising material, the question of who will emerge victorious loses its urgency along the way, and the ending,...

Award-winning Finnish-Estonian novelist Oksanen (When the Doves Disappeared, 2015, etc.) tackles the global exploitation of women and the entwined secrets of two families in this story of a woman with magical hair.

Intensely private Norma Ross has just lost her mother and closest confidante in an apparent suicide. A stranger named Max Lambert accosts her at the funeral and tells her they have "unpleasant business" to take care of. As Norma attempts to uncover the truth behind her mother's death, she finds herself threatened by powerful factions within the Lambert clan, all vying for control of a global hair salon operation with sidelines into darker business ventures. Norma's miraculous hair is both blessing and curse, making her incredibly sensitive to smells and giving her the ability to detect lies and communicate with a dead ancestor whose own magical hair committed a double murder. Smoked in a pipe, Norma's hair also serves as a drug that drives at least one character crazy. Inside the Lambert family, alliances form and shift, no one is safe, and everyone wants to discover the source of the hair Norma's mother had been selling before she died. As the entangled plots wind tighter, surrogacy and baby farming are added to the clan's nefarious activities: "Girls and children were so cheap in Nigeria, and the hair business created a perfect front." Oksanen raises some important points. As one character puts it, women "still don't take home the profits even though we provide all the material and all the labor for the beauty industry. Century after century we've given our faces, our hair, our wombs, our breasts, and still the money ends up in men's pockets." But too many characters feel underdeveloped, and the writing is often weak: "Their kind dwelled endlessly on a tragedy until all the blood and marrow had been sucked out of it, gnawing at possible underlying factors with the same devotion as dieters who try to lose weight with gimmicks like slow chewing."

In spite of promising material, the question of who will emerge victorious loses its urgency along the way, and the ending, though surprising, fails to satisfy.

Pub Date: Sept. 6, 2017

ISBN: 978-0-451-49352-1

Page Count: 320

Publisher: Knopf

Review Posted Online: June 19, 2017

Kirkus Reviews Issue: July 1, 2017

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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