A profound memorial to the suffering, strength, and stories of Black Americans.
A noteworthy tribute to Juneteenth.
Bostic’s exquisite oil paintings, rich with warm hues, pair beautifully with Rolle's free-verse poem to pay tribute to a celebration long relegated to the shadows of American history. This picture book stands as a marvelous tribute to the enslaved African Americans in Galveston, Texas, who listened to the reading of the Emancipation Proclamation in 1865. It honors the Black families who stayed in Texas and those who tried to find solace as far away as they could. The book also highlights the lasting legacy of Juneteenth, noting that “in towns from sea to sea,” the ancestors of enslaved Black people continue to celebrate the anniversary of freedom from slavery and pass down the history and traditions of the holiday. Rolle lauds everyone who pays homage to the monumental day. In her closing author’s note, she describes how her Juneteenth poem came to fruition and the Texan roots of the globally impactful holiday. Fans of Unspeakable: The Tulsa Race Massacre (2021) by Carole Boston Weatherford and Floyd Cooper and The Undefeated (2019) by Kwame Alexander and Kadir Nelson will enjoy this book. (This book was reviewed digitally.)
A profound memorial to the suffering, strength, and stories of Black Americans. (Picture book. 7-10)Pub Date: May 24, 2022
ISBN: 978-1-4549-4374-7
Page Count: 32
Publisher: Union Square & Co.
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
Shot through with vague generalities and paired to a mix of equally generic period images and static new art, this overview remorselessly sucks all the juice from its topic.
This survey of the growth of industries in this country from the Colonial period to the post–World War II era is written in the driest of textbook-ese: “Factories needed good transportation so that materials could reach them and so that materials could reach buyers”; “The metal iron is obtained by heating iron ore”; “In 1860, the North said that free men, not slaves, should do the work.” This text is supplemented by a jumble of narrative-overview blocks, boxed side observations and terse captions on each thematic spread. The design is packed with overlapping, misleadingly seamless and rarely differentiated mixes of small, heavily trimmed contemporary prints or (later) photos and drab reconstructions of workshop or factory scenes, along with pictures of significant inventions and technological innovations (which are, in several cases, reduced to background design elements). The single, tiny map has no identifying labels. Other new entries in the All About America series deal similarly with Explorers, Trappers, and Pioneers, A Nation of Immigrants and Stagecoaches and Railroads. Utilitarian, at best—but more likely to dim reader interest than kindle it. (index, timeline, resource lists) (Nonfiction. 8-10)
Pub Date: Feb. 1, 2012
ISBN: 978-0-7534-6670-4
Page Count: 32
Publisher: Kingfisher
Review Posted Online: Dec. 19, 2011
Kirkus Reviews Issue: Jan. 1, 2012
A simplistic treatment for an audience likely unfamiliar with its subject.
Ehrlich renders an admiring portrait of Cather, focusing on the relationship between her writing and the places she lived and visited.
Willa and family followed her grandparents from Virginia to Nebraska in 1883. Willa was lonely, but she had a pony and freedom to roam. When her father traded farming for real estate, the family moved to Red Cloud. She read keenly, enjoying adult friends, who "were more interesting than children and...talked to Willa in a serious and cultured way." During her freshman year at the University of Nebraska in Lincoln, an essay’s publication changed Willa's path from doctor to writer. Cather worked at magazines in Pittsburgh and New York. The writer Sarah Orne Jewett urged her to focus on her own writing. Journeys to Europe, the American Southwest, back to Nebraska and Virginia—all resonated in her accomplished fiction. Ehrlich writes with little inflection, sometimes adopting Cather's viewpoint. The Civil War and slavery are briefly treated. (Cather's maternal grandparents were slaveholders.) Native Americans receive only incidental mentions: that Red Cloud is named for the Oglala Lakota chief and that, as children, Willa and her brothers had "imagined themselves in Indian country in the Southwest desert. What adventures they would have!" Minor's watercolor-and-gouache pictures depict bucolic prairie scenes and town and city life; meadowlarks appear frequently.
A simplistic treatment for an audience likely unfamiliar with its subject. (timeline, thumbnail biographies of American women writers of Cather's time, bibliography) (Biography. 7-10)Pub Date: Sept. 27, 2016
ISBN: 978-0-689-86573-2
Page Count: 72
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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