HEAVYWEIGHT

A cartoonist and writer reflects on intergenerational trauma and its relationship to modern colonial violence.

Family stories about heroic escapes during the Holocaust mesmerized Brager almost as much as those about their great-grandfather Erich, mythologized as the man who beat Joseph Goebbels in a boxing match. However, as Brager shows, those stories—along with the unarticulated events that led to the formation of their transgender identity—also haunted the author. Unable to speak directly about the trauma surrounding their transition, Brager wrote about family Holocaust stories instead, which graduate school history professors rejected as too personal. In this debut, the author uses their formidable skills as an artist to transform that research journey into a unique comic book–style narrative that interweaves tales of their inherited past with their own imperfect recollections. Grounding the narrative in work by psychiatrists, historians, and Holocaust survivors like Primo Levi, Brager achieves not only critical distance from their own work, but also the ability to see how other legacies of oppression subtly intersected both the Holocaust and their own life. In considering a gold bracelet inherited from their mother, for example, Brager was able to visualize their connections to the original owner, their great-grandmother, Ilse, and the bracelet’s giver, Erich, and link a historical artifact to a real event—in this case, Ilse’s escape from Germany. Brager shows readers how the bracelet, made in French colonial Morocco, functions as evidence of the subtle, unquestioned ways that colonial violence could embed itself in the histories of other oppressed people. As the author probes the many ways in which cultures intersect, they challenge readers to make deeper, more complex connections among self, family, and the many histories in which the self necessarily—but sometimes unknowingly—participates.

An intense, brilliantly conceived graphic memoir announcing the arrival of a new talent to watch.