A vital, enthralling debut in which devastating social commentary is delivered with a wink.
Mĕi Brown is a recent Dartmouth dropout working as a private chauffeur with a dodgy roster of clients—one of whom hires her to drive all the way across the country.
When Mĕi picks up 20-something Henry Lee, she can’t help noticing that he guards his enormous suitcase religiously. Although the two gradually grow closer on the long journey from San Francisco to Syracuse, trading barbs through the limo’s partition, Henry’s easy charm and good looks can’t fully alleviate Mĕi’s suspicions. She repeatedly calls her grandfather, her Lǎoyé—who’s responsible for finding her passengers looking to pay off the books—to see what he thinks about Henry. Since the death of his wife, Lǎoyé’s camped out in the family garage, smoking marijuana and watching old films, shrinking his existence to fit one room. Mĕi recalls the ways his encyclopedic knowledge of history and “ability to educate painlessly” bolstered her high school education and how his acerbic wit offered a lifeline through her teenage years; now she frets over his reluctance to leave home. Lǎoyé’s unquestioning support of her decision to drop out of Dartmouth after her father’s untimely death—buying her a car and introducing her to clients in need of a discreet chauffeur—further strengthens their bond, and she finds herself missing him terribly. With Lǎoyé’s encouragement, she continues the journey, and the lengthy stretches of driving allow Mĕi to reflect on life in the wake of her father’s passing—especially her estrangement from her mother, whose tacit acceptance of his death Mĕi can’t understand. Finally, Henry’s insistence on unusually frequent breaks leads Mĕi to confront him about his precious luggage, and once his secret is revealed she begins to see the world in a very different light. Frazier expertly weaves historic and contemporary injustices faced by Chinese Americans and Uyghurs through this fast-paced, propulsive book, which is at its most powerful when depicting the way Mĕi’s family navigates life after catastrophe. She has a knack for writing funny dialogue—scathing sarcasm underpinned by a great deal of love—and there are plenty of hilarious exchanges to lighten the dark political context of the novel.
A vital, enthralling debut in which devastating social commentary is delivered with a wink.Pub Date: July 30, 2024
ISBN: 9781250872715
Page Count: 224
Publisher: Henry Holt
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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