A vital, enthralling debut in which devastating social commentary is delivered with a wink.
Mĕi Brown is a recent Dartmouth dropout working as a private chauffeur with a dodgy roster of clients—one of whom hires her to drive all the way across the country.
When Mĕi picks up 20-something Henry Lee, she can’t help noticing that he guards his enormous suitcase religiously. Although the two gradually grow closer on the long journey from San Francisco to Syracuse, trading barbs through the limo’s partition, Henry’s easy charm and good looks can’t fully alleviate Mĕi’s suspicions. She repeatedly calls her grandfather, her Lǎoyé—who’s responsible for finding her passengers looking to pay off the books—to see what he thinks about Henry. Since the death of his wife, Lǎoyé’s camped out in the family garage, smoking marijuana and watching old films, shrinking his existence to fit one room. Mĕi recalls the ways his encyclopedic knowledge of history and “ability to educate painlessly” bolstered her high school education and how his acerbic wit offered a lifeline through her teenage years; now she frets over his reluctance to leave home. Lǎoyé’s unquestioning support of her decision to drop out of Dartmouth after her father’s untimely death—buying her a car and introducing her to clients in need of a discreet chauffeur—further strengthens their bond, and she finds herself missing him terribly. With Lǎoyé’s encouragement, she continues the journey, and the lengthy stretches of driving allow Mĕi to reflect on life in the wake of her father’s passing—especially her estrangement from her mother, whose tacit acceptance of his death Mĕi can’t understand. Finally, Henry’s insistence on unusually frequent breaks leads Mĕi to confront him about his precious luggage, and once his secret is revealed she begins to see the world in a very different light. Frazier expertly weaves historic and contemporary injustices faced by Chinese Americans and Uyghurs through this fast-paced, propulsive book, which is at its most powerful when depicting the way Mĕi’s family navigates life after catastrophe. She has a knack for writing funny dialogue—scathing sarcasm underpinned by a great deal of love—and there are plenty of hilarious exchanges to lighten the dark political context of the novel.
A vital, enthralling debut in which devastating social commentary is delivered with a wink.Pub Date: July 30, 2024
ISBN: 9781250872715
Page Count: 224
Publisher: Henry Holt
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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