OFF THE BOOKS

Mĕi Brown is a recent Dartmouth dropout working as a private chauffeur with a dodgy roster of clients—one of whom hires her to drive all the way across the country.

When Mĕi picks up 20-something Henry Lee, she can’t help noticing that he guards his enormous suitcase religiously. Although the two gradually grow closer on the long journey from San Francisco to Syracuse, trading barbs through the limo’s partition, Henry’s easy charm and good looks can’t fully alleviate Mĕi’s suspicions. She repeatedly calls her grandfather, her Lǎoyé—who’s responsible for finding her passengers looking to pay off the books—to see what he thinks about Henry. Since the death of his wife, Lǎoyé’s camped out in the family garage, smoking marijuana and watching old films, shrinking his existence to fit one room. Mĕi recalls the ways his encyclopedic knowledge of history and “ability to educate painlessly” bolstered her high school education and how his acerbic wit offered a lifeline through her teenage years; now she frets over his reluctance to leave home. Lǎoyé’s unquestioning support of her decision to drop out of Dartmouth after her father’s untimely death—buying her a car and introducing her to clients in need of a discreet chauffeur—further strengthens their bond, and she finds herself missing him terribly. With Lǎoyé’s encouragement, she continues the journey, and the lengthy stretches of driving allow Mĕi to reflect on life in the wake of her father’s passing—especially her estrangement from her mother, whose tacit acceptance of his death Mĕi can’t understand. Finally, Henry’s insistence on unusually frequent breaks leads Mĕi to confront him about his precious luggage, and once his secret is revealed she begins to see the world in a very different light. Frazier expertly weaves historic and contemporary injustices faced by Chinese Americans and Uyghurs through this fast-paced, propulsive book, which is at its most powerful when depicting the way Mĕi’s family navigates life after catastrophe. She has a knack for writing funny dialogue—scathing sarcasm underpinned by a great deal of love—and there are plenty of hilarious exchanges to lighten the dark political context of the novel.

A vital, enthralling debut in which devastating social commentary is delivered with a wink.