The first in a multicultural #OwnVoices romance series, with an enemies-to-lovers central plot and distinctive supporting...
A workaholic, socially inept Indian-American brain surgeon is caught off guard by her attraction to a Rwandan/Anglo-Indian chef in this rewrite of Pride and Prejudice.
Trisha Raje is a princess whose family prides itself on its aristocratic Indian roots as well as its integration into American life. The Rajes are preparing for their scion’s gubernatorial campaign in the Bay Area when Trisha rejoins them after a period of estrangement (caused by her former college roommate). She and chef Darcy "DJ" Caine meet at a political event and sparks fly, but for all the wrong reasons. While the two try to smooth things over, subsequent encounters exacerbate their hostility and class divide. Yet, as any Austen fan knows, the fallout of their pride and biases will eventually be resolved. Dev (A Distant Heart, 2017, etc.) credibly reworks a beloved novel to include diverse representation, and her use of dual points of view reveals the internal lives of both protagonists. DJ’s love for Indian cooking is also an interesting flip of a more traditional script. But Dev creates equivalents to Regency England partly through a discomfiting choice to valorize Trisha’s royal Indian genes—not only does she descend from ancestors who fought the medieval Islamic Mughal rulers and the British Empire and joined the Indian freedom struggle, her relatives are good royals who practice noblesse oblige (including on visits to Africa) and nurture a household (including a member who is differently abled) and have an upper-class sense of art and music. This complimentary take on the one percent is common in the genre, but what is problematic here is that romanticizing a royal identity normalizes the caste hierarchy still practiced (albeit illegally) in South Asian society, including in the contemporary diaspora. So while this is undoubtedly a charming attempt to weave in Indian history and Maharashtrian culture (and address #MeToo), the novel is limited to a lovely but upper-class Hindu family’s tribulations and triumphs, reiterating a tendency among Indian cultural producers to limit happily-ever-afters to this group.
The first in a multicultural #OwnVoices romance series, with an enemies-to-lovers central plot and distinctive supporting characters whose histories and dramas play out alongside the love story.Pub Date: May 7, 2019
ISBN: 978-0-06-283905-3
Page Count: 512
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 3, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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BOOK REVIEW
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