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THE EMMA PROJECT

The warmth of steady family ties complements the heat of intense sexual chemistry.

Two lifelong friends learn to see each other in a new light when forced to pursue a common goal.

Once betrothed to Yash Raje, heir apparent of the aristocratic Indian American Raje family, and beloved by his sprawling clan, Naina Kohli has become persona non grata since she and Yash split up, acknowledging that the engagement had been a convenient sham. So when she finds out that the benefactor of her microfinance foundation wants her to work with Vansh Raje, Yash’s youngest sibling, Naina is distraught: Not only does this development make it impossible for her to put some much-needed distance between herself and the Rajes, but it also forces her to hitch her wagon to the pampered prince who has, to her knowledge, never demonstrated a capacity for dedication or commitment. In his mid-20s, Vansh is relentlessly charming; coasting along easily on the strength of his looks and wealth, he has traveled the world working on do-gooder projects. He is extremely earnest about his latest and cares enough about Naina to be frustrated that she often underestimates his sincerity. But when circumstances force them to acknowledge each other’s best qualities and become freshly aware of their own flaws, sparks begin to fly. Naina must now decide if she wants a real relationship with a different Raje brother altogether. The fourth and final installment in Dev’s series of Jane Austen adaptations brims with humor, wit, and pathos. Naina, originally christened Knightlina, is modeled on Emma’s steadfast Mr. Knightley, while Vansh shares Emma’s compassion and tendency to make unfortunate errors in judgment. Dev’s attention to detail—from descriptions of Naina’s Bollywood-inspired attire to her mother’s turns of phrase as she negotiates with English—brings every character to life and inspires instant empathy. While descriptions of the Rajes’ family dynamics are consistently entertaining, their eventual change of heart toward Naina feels somewhat abrupt.

The warmth of steady family ties complements the heat of intense sexual chemistry.

Pub Date: May 17, 2022

ISBN: 978-0-06-305184-3

Page Count: 400

Publisher: Avon/HarperCollins

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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