The companion to the credibility-straining Nine for California (1996), this is a deeply satisfying story starring a resourceful heroine whose real-life counterpart is mentioned in a tiny historical footnote. Amanda and her family settle in a cabin while her father trudges off each week to prospect for gold. Even with a tumble of siblings, though, Amanda is bored until she figures out a way to do what she loves best: bake a pie. When Pa comes home and says he made 25 cents a slice from her gooseberry pie, Amanda begins to bake in earnest. But that's not all she does. She convinces a peddler to set up a trading post, encourages a prospector to open a laundry, and a cowboy to set up a livery stable. The town grows, enough for Pa to go into business with his daughter and for Amanda to think about schooling as well as pie. Smith's detailed watercolors are full of charm: Amanda's red ribbons match her gingham dress, a baby sister sleeps on a ferocious- looking bearskin rug in the cabin, and expressive, cartoony characters festoon the western landscape. It's fun to watch the town grow, spread by spread, and a map and a recipe for gooseberry pie grace the endpapers. Levitin and Smith provide a grand look at the hows and whys behind a town's growth; of course it didn't happen exactly this way—but it might have. (Picture book. 5-9)
Pub Date: March 1, 1998
ISBN: 0-531-30043-9
Page Count: 40
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
A powerful retrospective glimpse at a key event.
A vibrantly illustrated account of the Birmingham Children’s Crusade through the eyes of a young girl who volunteers to participate.
Morrison’s signature style depicts each black child throughout the book as a distinct individual; on the endpapers, children hold signs that collectively create a “Civil Rights and the Children’s Crusade” timeline, placing the events of the book in the context of the greater movement. When Dr. Martin Luther King Jr. comes to speak at her church, a girl and her brother volunteer to march in their parents’ stead. The narrative succinctly explains why the Children’s Crusade was a necessary logistical move, one that children and parents made with careful consideration and despite fear. Lines of text (“Let the children march. / They will lead the way // The path may be long and / troubled, but I’m gonna walk on!”) are placed within the illustrations in bold swoops for emphasis. Morrison’s powerful use of perspective makes his beautiful oil paintings even more dynamic and conveys the intensity of the situations depicted, including the children’s being arrested, hosed, and jailed. The child crusaders, regardless of how badly they’re treated, never lose their dignity, which the art conveys flawlessly. While the children win the day, such details as the Confederate flag subtly connect the struggle to the current day.
A powerful retrospective glimpse at a key event. (timeline, afterword, artist’s statement, quote sources, bibliography) (Picture book. 5-9)Pub Date: Jan. 2, 2018
ISBN: 978-0-544-70452-7
Page Count: 40
Publisher: HMH Books
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK REVIEW
An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)
Pub Date: Sept. 1, 1995
ISBN: 0-531-09464-2
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
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