This portrait of poverty and family ties has the potential to reshape American conversations about immigration.
An expanded version of Nazario’s Pulitzer Prize–winning articles, originally published in the Los Angeles Times, about the harrowing journey hopeful immigrants take from Central America through Mexico into the U.S.
The twist on this familiar story is that in recent years, a growing number of America’s illegal immigrants are women. Unable to feed and clothe their children, they leave their homes in Honduras or Guatemala and head for a better life in el Norte. Once in America, Mami sends back as much money as she possibly can and promises to return to her children as soon as she builds up a nest egg. But low-paying jobs as nannies or maids don’t allow the women to save much, so immigrant mothers don’t return home for years, if ever. Their children, too young to understand the heartbreaking calculus of economics and maternal self-sacrifice, feel abandoned. Some of them eventually undertake the pilgrimage through Mexico and across the border, hoping to reunite with their mothers. Nazario’s account focuses on Enrique, left in Honduras by his mother Lourdes when he was six. Eleven years later, he decides it is time to find her. He must avoid immigration offices, who would send him back home, and the gangsters who regularly steal from, rape and even murder migrants. Enrique risks his life, riding through Mexico on the roofs of what child migrants call El Tren de la Muerte (the Train of Death). Enrique makes it to North Carolina, but he and Lourdes are in for an emotional shock. During the long years of separation, mother and son have idealized one another; their reunion exposes resentments that have festered over the years.
This portrait of poverty and family ties has the potential to reshape American conversations about immigration.Pub Date: Feb. 28, 2006
ISBN: 1-4000-6205-5
Page Count: 336
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2006
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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