Next book

THE LAUGHTER

A powerful and darkly funny campus novel with an unexpected narrative perspective.

Jha’s new novel examines the political culture of a college in Seattle.

On the eve of the 2016 presidential election, Oliver Harding, an aging White professor of literature, laughs at Trump supporters and feels assured of Clinton’s coming victory, like liberals all over the country. But when he begins to develop an infatuation with Ruhaba Khan, a younger Pakistani colleague, he starts to become embroiled in an apparently shady drama surrounding Ruhaba’s teenage nephew, Adil Alam, who's come to stay with her from his home in France. As Oliver grows closer to Ruhaba, campus politics begin to escalate, and these rumblings throw his position into question, his instincts beginning to belie his sense of himself as a liberal, accepting person. Told in a chronology that alternates between a present tense in the aftermath of some awful event (the details of which are as yet unclear) and flashbacks to the weeks leading up to that event, the narrative pulses with a sense of growing unease and inevitable tragedy that perfectly reflects its historical moment. This pacing is very careful, and suspense builds gradually. Oliver’s sheer lack of self-awareness makes for many a comic moment, particularly juxtaposed as it is with his academic grandiosity, although this precise pairing can make him a difficult narrator to spend time with—and indeed, as the novel progresses, he grows more despicable. Yet the overall result is a novel that is both enjoyable and thought-provoking. Jha impressively avoids the trap of preachiness and moralizing that stories of identity politics on campus tend to fall into; rather, hers is a subtle and nuanced look at the subject. The novel plants seeds that turn out to be red herrings, building layer upon layer of assumptions—about campus culture, identity politics, religion, East versus West, racism, and terrorism. These assumptions are subverted and inverted, reminding us that, despite what some campus iconoclasts or national political figures might want us to believe, these matters are not usually black and white.

A powerful and darkly funny campus novel with an unexpected narrative perspective.

Pub Date: Feb. 14, 2023

ISBN: 978-0-06-324025-4

Page Count: 320

Publisher: HarperVia

Review Posted Online: Jan. 11, 2023

Kirkus Reviews Issue: Feb. 1, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 25


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WEDDING PEOPLE

Uneven but fitfully amusing.

Awards & Accolades

Likes

  • Readers Vote
  • 25


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

Next book

THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:
Close Quickview