Midlife chick lit in verse that contains an equal measure of clever lines and clinkers.
Poet-novelist Sones, whose previous work was aimed at teens (What My Girlfriend Doesn’t Know, 2007, etc.), focuses on their moms in her newest verse novel about the crises facing a woman as she turns 50.
The poems, most no more than a page, follow California poet Holly as she struggles to finish her book of poetry. Holly is anxiety-ridden, not only because she can’t avoid the physical “skidmarks” of age as she approaches 50, but also because her adored only daughter Sam is a high-school senior getting ready to leave Holly and her artist husband Michael empty-nesters. Then Holly’s loving and beloved mother’s health begins to fail in Cleveland, and guilt-ridden Holly must manage her medical care from afar. After a remarkably easy transition—Sam is the kind of fictional girl who skips a party with her friends to bake brownies (recipe included) for her grandmother and then snuggles up to watch TV with her mom—Sam heads off to college. Suddenly Holly’s marriage to Michael seems less than rock solid. First she suspects he is having an affair with one of her friends, though in classic sitcom plotting he’s actually been meeting with the other woman because she runs an animal shelter and he’s planning to surprise Holly with a new kitty. Then visiting her mother, Holly is tempted by but resists sexual advances from her mother’s doctor. When Michael is rushed to the hospital in great pain, his kidney stones become Holly’s poetic metaphor for their minor marital problems. Soon Holly’s mom is doing better, Sam is calling home frequently from college on the East Coast, and Holly’s editor loves her finished book. (Surprisingly for a poet married to an artist, one problem Holly doesn’t seem to have is financial; there are shopping sprees to the store nicely marketed in the title and no worries about where Sam’s tuition will come from.)
Midlife chick lit in verse that contains an equal measure of clever lines and clinkers.Pub Date: April 12, 2011
ISBN: 978-0-06-202467-1
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 1, 2011
Kirkus Reviews Issue: Feb. 1, 2011
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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