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THE BABY TREE

A gentle, appropriate answer to a perennial question.

When a small boy learns a baby’s coming to his family, he wonders where it’s coming from.

In words and pictures, the unnamed narrator’s imagination builds a variety of possibilities from the pat responses to his query he gets from a teenage friend, a teacher, the mailman and his grandfather. Finally, he asks his parents. Their simple explanation about a seed, an egg and birth in a hospital helps him see that all the other answers (except for Grandpa’s story about the stork) were partially right. As she did in Are You Awake? (2011), Blackall captures the natures of children’s curiosity and family conversations. Her ink-and-watercolor illustrations include plenty of white space. They show the rosy-cheeked boy engaged in typical kid activities at home, at school and while visiting his grandfather. His question is not burning, but time passes and he gets more and more confused. (And his mother gets visibly pregnant.) The pacing is leisurely and the tone gently humorous, and the answer includes no anatomical details. Modern in its imagery (both parents have smartphones plugged in by the bed), this is just right for initiating a conversation with a 4- to 6-year-old child. A final page for parents covers less typical family situations: twins, adoption and single-sex couples.

A gentle, appropriate answer to a perennial question. (Picture book. 4-6)

Pub Date: May 1, 2014

ISBN: 978-0-399-25718-6

Page Count: 40

Publisher: Nancy Paulsen Books

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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