Next book

OUT OF THE BLUE

A strong infusion of magic and wonder distinguish this debut novel.

When angelic Beings inexplicably start plummeting to Earth, humans everywhere read meaning into these events.

While religious cults form in the wake of the Beings’ arrival, those dubbed “Wingdings” join ranks online to share sightings, auction off wing feathers, and plot how to capture one alive and reap a reward. Jaya Mackenzie, a 17-year-old from rural Scotland, is grieving the recent death of her Sri Lankan–British mother and worrying about her father, a white Scottish man consumed by Being mania. Believing the next colorful, metallic, gender-neutral angel will fall in Edinburgh, he quits his job and takes Jaya and her younger sister, Rani, to live in a run-down student flat in the city. After meeting local twins Allie and Calum, who are protesting the commodification and exploitation of the Beings, Jaya falls hard for Allie while also missing her girlfriend, who has been incommunicado since her mother whisked her out of town. She also needs to decide whether she can trust the twins—not to mention her own family—when she happens upon the first Being to survive a crash landing on Earth. Touches of humor (Jaya names “her” Being Teacake due to her sweet tooth) lighten the story, and the expert pacing is complemented by well-rounded character development.

A strong infusion of magic and wonder distinguish this debut novel. (Magical realism. 12-18)

Pub Date: May 15, 2018

ISBN: 978-1-250-14991-6

Page Count: 272

Publisher: Roaring Brook Press

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

Next book

STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

Next book

IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

Close Quickview