While a solidly constructed book, certain headlines deserve respect and distance, and some may consider Littleton’s account...
Littlefield (Garden of Stones, 2013, etc.) draws facts from a true crime to create a novel about vicious intruders who invade an upper-class family’s home in Calumet, Minn.
Jen and Ted Glass appear to have the perfect life: They live in a big house in a nice neighborhood where Jen volunteers at her children’s schools, attends Zumba classes and occasionally has a girls’ night out with her friends. But Ted was laid off from his job as a global management executive six months ago, and he’s yet to find a new position. Jen’s tried to be patient, but she’s become suspicious of Ted’s frequent absences and lack of results, and they often find themselves arguing. Adding to the tension is the sullen behavior of 15-year-old Livvy, who’s involved in an ongoing rivalry with her ex-boyfriend’s new love interest, and 4-year-old son Teddy’s selective mutism. When two intruders invade their home, lock the family in the basement, ransack their house and force Jen to go to the bank the next day to empty their accounts, Jen and Ted assume the men will take the loot and the family’s valuables and leave. However, the criminals remain in their home while Jen is forced to access other investments. When the older thug, Dan, drops nuggets of information about the family that only an insider would know, Jen (who’s also having disturbing dreams) suspects their captivity is more than just a random occurrence. Dan’s partner, Ryan, worries the couple even more with his instability and increasing interest in Livvy, who defies the brutes. Knowing he must take a stand, Ted takes heroic actions to save his family. Littleton pens a mechanically sound narrative by altering the family structure and adding her own twists to elements of the source material. But readers who recall the brutal attack suffered by a Connecticut family in 2007—and who empathize with family members and the lone survivor who must cope with very genuine memories every single day—may find it difficult to cast aside the true story and embrace the author’s fictionalized version.
While a solidly constructed book, certain headlines deserve respect and distance, and some may consider Littleton’s account exploitative.Pub Date: Feb. 25, 2014
ISBN: 978-0-7783-1478-3
Page Count: 304
Publisher: Harlequin MIRA
Review Posted Online: Jan. 22, 2014
Kirkus Reviews Issue: Feb. 1, 2014
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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