A satisfying, icy thriller.
A dark tale of two mothers seeking their sons, dead or alive.
Lawton, North Dakota, may be remote but it’s bursting at the seams with young men eager to cash in on the latest oil strike. Consultants and the occasional visitor compete for rooms at the packed hotels, while rig workers grasp a few hours of sleep in impersonal barracks constructed by the oil companies. Of course, most of the men leave within weeks, either worn down by the grueling pace or frustrated by the dearth of women. A few flee the danger of limbs mangled in the machinery—or worse. But two have simply disappeared. The police have little interest in, or manpower available for, tracking down Paul Mitchell or Taylor Capparelli, young men who probably just took off for a warmer climate or easier work. So their mothers take the investigation into their own hands. They are certainly a mismatched pair: Shay Capparelli has survived raising two kids on her own, with little help from their dads or from her bosses, which has left her tough yet brittle. Colleen Mitchell, accustomed to East Coast affluence, trusts blithely in her own financial power to bend everyone and everything to her will. Forced to share quarters in an icy mobile home, the women must quickly set aside their mistrust of each other to focus on finding their sons. But the police warn them to stay away from the case, the oil company stonewalls them, and their own pasts toss up personal obstacles. As twist leads to turn, they discover how poverty, greed and jealousy can add up to tragedy. Edgar Award nominee Littlefield (House of Glass, 2014, etc.) deftly contrasts Shay’s and Colleen’s experiences and prejudices. Although Colleen’s rather peevish perspective is wearying, her conflicts with Shay neatly calibrate her troubles with Paul. It’s a good yarn, weaving together corporate and personal malfeasance.
A satisfying, icy thriller.Pub Date: Oct. 14, 2014
ISBN: 978-1-4767-5782-7
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Sept. 12, 2014
Kirkus Reviews Issue: Oct. 1, 2014
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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