A mixed bag.
Like it or not, size matters, and Henn shows just how important size can be across 17 animal species found around the world.
The organization is scattershot, jumping from animal to animal, but readers and listeners may not mind this as they’re learning a bit about each creature discussed. Nearly every text block ends with an open-ended question or challenge: Can you flap your arms faster than a bee hummingbird’s 80 times per second? Whose tongue is longer, yours or a giraffe’s? Large spreads—each page is 12 inches square—allow this book to be easily seen from the back of the room. Though the book will easily create choruses of “awwww”s, it may also generate a few “uuuummmm”s, as the facts are brief. Readers learn, for instance, that the male rainbow lizard is normally brown but transforms into rainbow hues “to impress female lizards,” but they don’t learn how this happens. Backmatter consists of a relative-size chart of many (not all) of the animals discussed. All measurements are in English units only even though the metric system is the international standard. Henn’s illustrations, which appear to be digitally created, are bright, bold, and welcoming. Readers are greeted by an arrestingly large panda face and bamboo endpapers, but the only information about pandas is in the backmatter. Panda enthusiasts (and those who judge a book by its cover) will be greatly disappointed.
A mixed bag. (Informational picture book. 8-10)Pub Date: Dec. 1, 2018
ISBN: 978-1-61067-731-8
Page Count: 32
Publisher: Kane Miller
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
Though certainly not a systematic overview of Picasso’s life and career, this intimate, child’s-eye view serves up a winning...
“Picasso was great fun to play with. He liked to romp around on the floor and have pretend bullfights. His tweed jacket was nice and scratchy. He smelled good too. He smelled of cologne and French tobacco.”
To a set of seldom-seen photos taken by his mother, Lee Miller, interspersed with both pictures of roughly hewn toys and playful art created by Picasso and a page of drawings of the titular incident by modern children, Penrose adds appreciative comments and authentically sketchy childhood memories of a renowned family friend. Taken in France and England, the photos offer glimpses of the artist in his studio or posing with young Antony, along with shots of his own children, other friends such as George Braque and artwork done in a characteristic array of media and found materials. Images of colorful works from the author’s personal collection are added as well; the author's little Noah's Ark set appears juxtaposed to a tiny Picasso piece called Mrs. Noah, for instance. The text itself adds playful notes with variations in size and weight, along with occasional wavy lines and is set on solid backgrounds of pale blues, yellows, lilacs and other pastel hues.
Though certainly not a systematic overview of Picasso’s life and career, this intimate, child’s-eye view serves up a winning glimpse of the artist’s personality and unparalleled creative breadth. (glossary, thumbnail bios) (Memoir. 8-10)Pub Date: May 1, 2011
ISBN: 978-0-8109-9728-8
Page Count: 48
Publisher: Abrams
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK TO SCREEN
This ageless trickster tale has a nicely subversive message, but this rendition lacks the panache to carry it off.
A wooden retelling of Perrault’s classic tale, with underwhelming movable parts.
Gurney embellishes the original plotline only by furnishing the Ogre with a back story (provided in a very small pasted-in booklet) and bestowing names on the kingdom and most of the characters. Her prose stumbles (“Puss pondered over [sic] the problem of Peter’s livelihood”), and her dialogue runs to stilted lines like, “We have seen your idea of work, Peter—it is to sit around all day playing your harmonica and idling.” Illustrator Kelley does his best to add plenty of visual panache, crafting painted scenes featuring a swashbuckling ginger puss plainly akin to the scene stealer from Shrek and cleverly manipulating a Disney-esque human cast. Such movable additions as a turn-able water wheel, a pull tab that makes Puss lick his chops after devouring the ogre and even a culminating pop-up wedding tableau are, at best, routine, and they often feel like afterthoughts, enhancing neither the art nor the story.
This ageless trickster tale has a nicely subversive message, but this rendition lacks the panache to carry it off. (Pop-up fairy tale. 8-10)Pub Date: Oct. 1, 2011
ISBN: 978-0-7641-6485-9
Page Count: 24
Publisher: Barron's
Review Posted Online: Oct. 11, 2011
Kirkus Reviews Issue: Nov. 1, 2011
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