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RAVANA AND THE MAGIC STONE

From the Ganesha series , Vol. 3

A bland rendition, without much sense of the popular story’s usual course or cultural milieu.

In this reworked folk tale, clever Ganesha disguises himself as a shepherd boy to keep an evil king from becoming even more dangerously powerful.

Related in lumbering rhyme and blocky cartoon illustrations, the episode is not only abbreviated, but robbed of features that might have increased its appeal to young readers. Described as a ferocious, many-headed demon king in the Ramayana (for instance) but depicted here as a hunky but conventional, pale-skinned villain with a Snidely Whiplash mustache, Ravana sets out to secure a stone promised by Shiva that will give its bearer immortality and great power. Shiva reluctantly hands it over, with the proviso that once it touches the ground it will be forever immovable. Commenting “I know, he has his evil plans / to take over the world, / and capture all lands,” the elephant-headed Ganesha transforms himself into a lad and volunteers to hold the stone for a count of three while Ravana rests and prays (or in other versions, pees). As if. Down the stone drops, “…and Ravana’s dreams of fame and glory, / are gone forever. That’s the end of this story.” In traditional versions the end isn’t quite so abrupt, and the “stone” is actually a lingam or sacred phallus that is here only a glowing, egg-shaped crystal—though at least it does assume an elongated shape in the final scene. A small sheet of stickers and step-by-step instructions for drawing the portly blue pachyderm are appended.

A bland rendition, without much sense of the popular story’s usual course or cultural milieu. (Graphic folk tale. 5-8.)

Pub Date: June 7, 2016

ISBN: 978-93-81182-24-6

Page Count: 24

Publisher: Campfire

Review Posted Online: March 15, 2016

Kirkus Reviews Issue: April 1, 2016

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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