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BANDIT QUEEN BOOGIE

Light and frothy but undeniably sweet: a pleasant excursion to nowhere, done up in high style at a brisk pace.

Thelma and Louise do Europe in Hayter’s (the Robin Hudson female detective series) witty account of two American girls who go wild on vacation and end up in big trouble.

Chloe Bowen and Blackie Maher just want to have some fun. Still smarting several weeks after being unceremoniously dumped by her boyfriend, college senior Chloe decides to snap herself out of the doldrums by going ahead with a long-planned summer vacation in Europe, taking her best friend Blackie with her instead of Mr. Ex. It turns out to be an inspired move: Chloe and Blackie have similar tastes in just about everything except men, so they manage to get along fine and never end up stealing each other’s heartthrobs. In fact, they soon discover that they’re natural-born con-girls, adept at spotting married philanderers in hotel bars, slipping them mickeys in their rooms, and robbing them blind once they’ve passed out. Like many careers, Chloe and Blackie’s excursion into crime begins by mistake, goes on as a curiosity, and soon develops into a smooth and lucrative routine. But you have to be careful when you pick your marks, and the girls make their first misstep when they roll an Australian gangster and end up in possession of a gold-plated statuette that’s been stolen from a Bombay mafioso. What’s inside it? We don’t know for sure, but soon the Aussie has been murdered by mob goons who then set off in pursuit of Chloe and Blackie. On top of that, it turns out that Chloe is the look-alike of an English aristocrat who has lately broken out of a Swiss rehab center and gone into hiding. They say travel is broadening, but Chloe and Blackie, if they can’t find their way home, may soon be flattened out by the experience.

Light and frothy but undeniably sweet: a pleasant excursion to nowhere, done up in high style at a brisk pace.

Pub Date: July 27, 2004

ISBN: 1-4000-4744-7

Page Count: 304

Publisher: Three Rivers/Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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